Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
Schoenberg's early Wagnerisms: Atonality and the redemption of Ahasuerus
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- Published online by Cambridge University Press:
- 27 August 2008, pp. 51-80
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- Cited by 3
Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris
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- 01 July 2020, pp. 153-187
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- Cited by 3
The semiotics of symmetry, or Rimsky-Korsakov's operatic history lesson
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- 24 September 2002, pp. 261-293
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- Cited by 3
Fidelio and the French Revolution
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- 27 August 2008, pp. 23-48
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Alfredo Casella and the rhetoric of colonialism
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- 18 October 2012, pp. 127-157
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- Cited by 3
Mime, Meyerbeer and the Genesis of Der junge Siegfried: New Light on the ‘Jewish Question’ in Richard Wagner’s Work
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- 10 July 2014, pp. 113-146
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- Cited by 3
Some representations of opera seria in opera buffa
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- 27 August 2008, pp. 89-108
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- Cited by 3
Aria as drama: A sketch from Mozart's Der Schauspieldirektor
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- 27 August 2008, pp. 251-267
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Neapolitan elements and comedy in nineteenth-century opera buffe
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- 20 June 2003, pp. 297-311
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- Cited by 3
Syphilis, sin and the social order: Richard Wagner's Parsifal
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- 27 August 2008, pp. 261-275
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- Cited by 3
Meyerbeer's Il crociato in Egitto: mélodrame, opera, orientalism
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- 27 August 2008, pp. 215-250
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- Cited by 3
Opera Scenes in Video Games: Hitmen, Divas and Wagner’s Werewolves
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- 19 July 2018, pp. 253-286
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- Cited by 3
Permeable boundaries in Mozart's Don Giovanni
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- 10 July 2002, pp. 115-139
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- Cited by 2
‘Adapted to the modern stage’: La clemenza di Tito in London
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- 27 August 2008, pp. 1-22
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Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890
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- 01 April 2015, pp. 35-62
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- Cited by 2
The opera parodies of Florent Carton Dancourt
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- 12 July 2002, pp. 87-114
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- Cited by 2
Verdi, Solera, Piave and the libretto for Attila
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- 04 October 2010, pp. 257-265
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- Cited by 2
The ‘rival queans’ and the play of identity in Handel's Admeto
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- 19 January 2007, pp. 301-331
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Mozart's Fiordiligi: Adriana Ferrarese del Bene
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- 27 August 2008, pp. 199-214
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- Cited by 2
‘Poésie lyrique’ and ‘Chorégraphie’ at the Opéra in the July Monarchy
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- 27 August 2008, pp. 1-19
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