Skip to main content Accessibility help
×
Home

Activating Whiteness: Racializing the Ordinary in US American Postmodern Dance

  • Rebecca Chaleff

Abstract

  • An abstract is not available for this content so a preview has been provided below. Please use the Get access link above for information on how to access this content.

Copyright

References

Hide All
Ahmed, Sara. 2007. “A Phenomenology of Whiteness.” Feminist Theory 8 (2): 149168.
Ahmed, Sara. 2010. The Promise of Happiness. Durham, NC: Duke University Press.
Banes, Sally. (1977) 1987. Terpsichore in Sneakers: Post-Modern Dance. Middletown, CT: Wesleyan University Press.
Banes, Sally. (1993) 1995. Democracy's Body: Judson Dance Theater, 1962–1964. Durham, NC: Duke University Press.
Berlant, Lauren. 2011. Cruel Optimism. Durham, NC: Duke University Press.
Bourdieu, Pierre. (1977) 1979. “The Kabyle House or the World Reversed.” In Algeria 1960: The Disenchantment of the World, The Sense of Honour, The Kabyle House or The World Reversed. Translated by Nice, Richard, 133153. New York: Cambridge University Press.
Burt, Ramsay. 2006. Judson Dance Theater: Performative Traces. New York: Routledge.
Butler, Judith. 2000. “Restaging the Universal: Hegemony and the Limits of Formalism.” In Contingency, Hegemony, Universality: Contemporary Dialogues on the Left, edited by Butler, Judith, Laclau, Ernesto, and Žižek, Slavoj, 1144. Brooklyn, NY: Verso.
Casel, Gerald. 2016. “Gerald Casel on Responding to Trisha Brown's Locus,” Hope Mohr Dance, November 1. Accessed August 9, 2018. https://www.hopemohr.org/blog/2016/11/1/gerald-casel-on-responding-to-trisha-browns-locus
Catterson, Pat. 2009. “I Promised Myself I Would Never Let It Leave My Body's Memory.” Dance Research Journal 41 (2): 211.
Chow, Rey. 2002. The Protestant Ethnic and the Spirit of Capitalism. New York: Columbia University Press.
Collins, Patricia Hill. (1990) 2000. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. New York: Routledge.
Combahee River Collective. (1977) 1978. “A Black Feminist Statement.” In Capitalist Patriarchy and the Case for Socialist Feminism, edited by Eisenstein, Zillah, 210218. New York: Monthly Review Press.
Crenshaw, Kimberlé. (1989) 1995. “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics.” In Critical Race Theory: The Key Writings that Formed the Movement, edited by Crenshaw, Kimberlé, Gotanda, Neil, Peller, Gary, and Thomas, Kendall, 357383. New York: The New Press.
Das, Joanna Dee. 2017. Katherine Dunham: Dance and the African Diaspora. New York: Oxford University Press.
Foster, Susan Leigh. 2002. Dances that Describe Themselves: The Improvised Choreography of Richard Bull. Middletown, CT: Wesleyan University Press.
Foster, Susan Leigh. 2011. Choreographing Empathy: Kinesthesia in Performance. London, UK: Routledge.
Foucault, Michel. (1978) 1990. The History of Sexuality, vol. 1: An Introduction. New York: Random House.
Foucault, Michel. 2003. “Society Must Be Defended”: Lectures at the Collège de France, 1975–1976. Edited by Davidson, Arnold I.. Translated by Macey, David. New York: Picador.
Frankenberg, Ruth. 2001. “The Mirage of an Unmarked Whiteness.” In The Making and Unmaking of Whiteness, edited by Rasmussen, Birgit Brander, Klinenberg, Eric, Nexica, Irene J., and Wray, Matt, 7296. Durham, NC: Duke University Press.
Gamman, Lorraine and Marshment, Margaret. 1988. The Female Gaze: Women as Viewers of Popular Culture. London, UK: Women's Press.
Gottschild, Brenda Dixon. (1996) 1998. Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westport, CT: Praeger.
Graham, Amanda. 2016. “Space Travel: Trisha Brown's Locus.” Art Journal 75 (2): 2645.
Hooks, Bell. 1997. “Representing Whiteness in the Black Imagination.” In Displacing Whiteness: Essays in Social and Cultural Criticism, edited by Frankenberg, Ruth, 165179. Durham, NC: Duke University Press.
Kazanjian, David. 2003. The Colonizing Trick: National Culture and Imperial Citizenship in Early America. Minneapolis, MN: University of Minnesota Press.
Kraut, Anthea. 2015. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. New York: Oxford University Press.
Lott, Eric. (1993) 2013. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.
Manning, Susan. 2004. Modern Dance, Negro Dance: Race in Motion. Minneapolis, MN: University of Minnesota Press.
Mauss, Marcel. (1935) 1973. “Techniques of the body.” Translated by Ben Brewster. Economy and Society 2 (1): 7088.
Mohr, Hope. 2018. “Choreographic Transmission in an Expanded Field: Reflections on ‘Ten Artists Respond to Locus.’TDR: The Drama Review 62 (2): 143150.
Mulvey, Laura. 1989. Visual and Other Pleasures. New York: Palgrave.
Mulvey, Laura. (1975) 2003. “Visual Pleasure and Narrative Cinema.” In The Feminism and Visual Culture Reader, edited by Jones, Amelia, 4453. New York: Routledge.
Thiong'o, Ngũgĩ wa. 1993. Moving the Centre: The Struggle for Cultural Freedoms. Portsmouth, NH: Heinemann.
Puar, Jasbir K. 2005. “Queer Times, Queer Assemblages.” Social Text 23 (3–4): 121139.
Quinlan, Meghan. 2017. “Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market.” Dance Research Journal 49 (2): 2643.
Rainer, Yvonne and Finnane, Gabrielle. 1992. “Discussing Privilege: an interview with Yvonne Rainer.” Continuum: The Australian Journal of Media & Culture, Vol. 5 (2). Accessed August 9, 2018. http://wwwmcc.murdoch.edu.au/readingroom/5.2/Finnane.html
Rosenberg, Susan. 2017. Trisha Brown: Choreography as Visual Art. Middletown, CT: Wesleyan University Press.
Savigliano, Marta Elena. 2009. “Worlding Dance and Dancing Out There in the World.” In Worlding Dance, edited by Foster, Susan Leigh, 163–90. New York: Palgrave Macmillan.
Schneider, Rebecca. 2005. “Solo, Solo, Solo.” In After Criticism: New Responses to Art and Performance, edited by Butt, Gavin, 2347. Malden, MA: Blackwell Publishing.
Stewart, Kathleen. 2007. Ordinary Affects. Durham, NC: Duke University Press.
Stoler, Ann Laura. 1995. Race and the Education of Desire: Foucault's History of Sexuality and the Colonial Order of Things. Durham, NC: Duke University Press.
Willis, Tara Aisha. 2016. “Stumbling into Place: Seeing Blackness in David Thomson's Choreographies of Ambiguity.” The Black Scholar 46 (1): 414.
Wright, Megan. 2016–2018. “A Dancer's Perspective: The hidden challenges in ‘pedestrian’ movement,” Stephen Petronio Company: Bloodlines Room, 2016–2018. Accessed August 9, 2018. http://stephenpetroniocompany.tumblr.com/post/165475352367/a-dancers-perspective-the-hidden-challenges-in

Keywords

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Abstract views

Total abstract views: 0 *
Loading metrics...

* Views captured on Cambridge Core between <date>. This data will be updated every 24 hours.

Usage data cannot currently be displayed