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Dee(a)r Spine: Dance, Dramaturgy, and the Repatriation of Indigenous Memory

  • Sam Mitchell and Julie Burelle




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Bimm, Jordan. 2011. “A Taste of Chocolate.” Now Toronto Magazine. June 2. Accessed April 2, 2015.
Burelle, Julie. 2015. “Theatre in Contested Lands: Repatriating Indigenous Remains.” TDR/The Drama Review 59(1): 97118.
Bopp, Judie. 1989. The Sacred Tree, 3rd ed.Wilmot, WI: Lotus Light.
Dangeli, Mique'l. 2015. “Dancing Chiax, Dancing Sovereignty: Performing Protocol in Unceded Territories.” Presented at the American Comparative Literature Association, Seattle, WA, March 2629.
Durham, Jimmie, and Fisher, Jean. 1995. A Certain Lack of Coherence: Writings on Art and Cultural Politics. London: Kala Press.
Hopkins, D. J. 2003. “Research, Counter-text, Performance: Reconsidering the (Textual) Authority of the Dramaturg.” Theatre Topics: 117.
Indigenous Knowledge, Contemporary Performance. N.d. Accessed April 2, 2015.
Mojica, Monique, and Farnell, Brenda. 2013. “Mola Dulad Aibanai (Living Mola Moving): Reclamations, Reenactments and Creating an Embodied Script.” Lecture presented at In the Balance: Indigeneity, Performance, Globalisation, Bargehouse, London, October 26.
Shea Murphy, Jacqueline. 2007. The People Have Never Stopped Dancing: Native American Modern Dance Histories. Minneapolis: University of Minnesota Press.
Shorter, David Delgado. 2009. We Will Dance Our Truth: Yaqui History in Yoeme Performances. Lincoln, NE: University of Nebraska Press.
Taylor, Diana. 2003. The Archive and the Repertoire: Cultural Memory and Performance in the Americas. Durham, NC: Duke University Press.
Wolfe, Patrick. 2006. “Settler Colonialism and the Elimination of the Native.” Journal of Genocide Research 8(4): 387409.
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Dance Research Journal
  • ISSN: 0149-7677
  • EISSN: 1940-509X
  • URL: /core/journals/dance-research-journal
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