Anchor, Robert. 1978. “History and Play: Johan Huizinga and His Critics.” History and Theory
17 (1): 63–93.
Bolden, Tony. 2013. “Groove Theory: A Vamp on the Epistemology of Funk.” American Studies
52 (4): 9–34.
Brown, Steven, Martinez, Michael J., and Parsons, Lawrence M.. 2006. “The Neural Basis of Human Dance.” Cerebral Cortex
Burger, Birgitta, Thompson, Marc R., Suvi Saarikallio, Geoff Luck, and Toiviainen, Petri. “Music Moves Us: Beat-Related Musical Features Influence Regularity of Music-Induced Movement.” In Proceedings of the 12th International Conference on Music Perception and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music Cognition, edited by E. Cambouropoulos, C. Tsougras, P. Mavromatis, and K. Pastiadis, 183–187. July 23–28, Thessaloniki, Greece.
Cohen, David. 1987. The Development of Play. New York: New York University Press.
Csikszentmihalyi, Mihaly. 2013. “A Theoretical Model for Enjoyment.” In The Improvisation Studies Reader: Spontaneous Acts, edited by Heble, Ajay and Caines, Rebecca, 150–162. London: Routledge.
Dillon, Kathleen M., and Tait, Jennifer L.. 2000. “Spirituality and Being in The Zone in Team Sports: A Relationship.” Journal of Sport Behavior
23 (2): 91–100.
Ellis, M. J.
1973. Why People Play. Englewood Cliffs, New Jersey: Prentice-Hall.
Fitch, W. Tecumseh. 2012. “The Biology and Evolution of Rhythm: Unraveling a Paradox.” In Language and Music as Cognitive Systems, edited by Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins, and Ian Cross, 73-95. Oxford: Oxford University Press.
Fraleigh, Sondra. 1996. Dance and the Lived Body. Pittsburg: University of Pittsburg Press.
Goddard, Michael. 2000. “Of Cabbages and Kin: The Value of an Analytic Distinction between Gifts and Commodities.” Critique of Anthropology
20 (2): 137–51.
Hartman, Saidya. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. Oxford: Oxford University Press.
Huizinga, Johan. 1949. Homo Ludens: A Study of the Play-Element in Culture. London: Routledge and Kegan Paul.
Kamata, Akihito, Tenenbaum, Gerson, and Hanin, Yui L.. 2002. “Individual Zone of Optimal Function (IZOF): A Probabilistic Estimation.” Journal of Sport and Exercise Psychology
LaMothe, Kimmerer. 2015. Why We Dance: A Philosophy of Bodily Becoming. New York: Columbia University Press.
Langer, Suzanne. 1953. Feeling and Form. New York: Scribner.
Leder, Drew. The Absent Body. Chicago: University of Chicago Press, 1990.
Locke, Abigail. 2008. “Managing Agency for Athletic Performance: A Discursive Approach to the Zone.” Qualitative Research in Psychology
5 (2): 103–26.
Madison, Guy. 2006. “Experiencing Groove Induced by Music: Consistency and Phenomenology.” Music Perception: An Interdisciplinary Journal
24 (2): 201–208.
Martin, Randy. 1985. “Dance as Social Movement.” Social Text
Martin, Randy. 1996. “Last Supper at Uncle Tom's: Over-Reading the Promised Land.” In Corporealities : Dancing, Knowledge, Culture, and Power, edited by Foster, Susan Leigh, 177–98. New York: Routledge.
Martin, Randy. 1998. Critical Moves: Dance Studies in Theory and Politics. Durham: Duke University Press.
Martin, Randy. 2012. “A Precarious Dance, a Derivative Sociality.” TDR: The Drama Review
56 (4): 64–79.
McClellan, David. 1969. “Marx's View of Unalienated Society.” The Review of Politics
31 (4): 459–65.
Merker, Bjorn H., Madison, Guy S., and Eckerdal, Patricia. 2009. “On the Role and Origin of Isochrony in Human Entrainment.” Cortex
Payne, Brennan R., Jackson, Joshua J., Noh, Soo Rim, and Stine-Morrow, Elizabeth A. L.. 2011. “In The Zone: Flow State and Cognition in Older Adults.” Psychology and Aging
26 (3): 738–43.
Piaget, Jean. 1962. Play, Dreams and Imitation in Childhood. Translated by Gattegno, C. and Hodgson, F. M.. New York: Norton.
Phillips-Silver, Jessica, Aktipis, C. Athena, and Bryant, Gregory A.. 2010. “The Ecology of Entrainment: Foundations of Coordinated Rhythmic Movement.” Music Percept
28 (1): 3–14.
Rabinbach, Anson. 1992. The Human Motor: Energy, Fatigue, and the Origins of Modernity. Berkeley: University of California Press.
Rose, Tricia. 2013. “‘All Aboard the Night Train’: Flow, Layering, and Rupture in Postindustrial New York.” In The Improvisation Studies Reader: Spontaneous Acts, edited by Heble, Ajay and Caines, Rebecca, 181–86. London: Routledge.
Rothfield, Philipa. 2015. “Playing the Subject Card: Strategies of the Subjective.” In Performance and Phenomenology: Traditions and Transformations, edited by Bleeker, Maaike, Sherman, Jon Foley, and Nedelkopoupou, Eirini, 97–110. New York: Routledge.
Siegmund, Gerald. “Mobilization, Force, and the Politics of Transformation.” Dance Research Journal
Stupacher, Jan, et al.
2013. “Musical Groove Modulates Motor Cortex Excitability: A TMS Investigation” Brain and Cognition
Sutton-Smith, Brian. 1997. The Ambiguity of Play. Cambridge: Harvard University Press.
Trost, Wiebke. 2014. “Time Flow and Musical Emotions: The Role of Rhythmic Entrainment.” In Timing of Affect, edited by Angerer, Marie-Luise, Bösel, Bernd, and Ott, Michaela, 207–23. Zurich: Diaphanes.
Trost, W., Frühholz, S., Schön, D., Labbé, S., Grandjean, D., and Vuilleumier, P.. 2014. “Getting the Beat: Entrainment of Brain Activity by Musical Rhythm and Pleasantness.” NeuroImage
Trost, Wiebke, and Vuilleumier, Patrick. 2013. “Rhythmic Entrainment as a Mechanism for Emotion Induction by Music: A Neurophysiolgocial Perspective.” In The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression and Social Control, edited by Cochrane, Tom, Fantini, Bernardino, and Scherer, Klaus R., 213–25. Oxford: Oxford University Press.
Witek, Maria A. G., Clarke, Eric F., Wallentin, Mikkel, Kringelbach, Morten L., and Vuust, Peter. “Syncopation Body-Movement and Pleasure in Groove Music.” PLoS One
9 (4): e94446. doi:10.1371/journal.pone.0094446.
Young, Janet A., and Pain, Michelle D.. 1999. “The Zone: Evidence of a Universal Phenomenon in Athletes Across Sports.” Athletic Insight
1 (3): 21–30.
Yun, Kyongsik, et al.
2012. “Interpersonal Body and Neural Synchronization as a Marker of Implicit Social Interaction.” Scientific Reports
2 (959) doi:10.1038/srep00959: 1–8.