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IV. Blacking Queer Dance

Published online by Cambridge University Press:  22 July 2014

Thomas F. DeFrantz
Thomas F. DeFrantz
Affiliation:
Massachusetts Institute of Technology
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Abstract

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Information

Type
Dialogues
Information
Dance Research Journal , Volume 34 , Issue 2 , Winter 2002 , pp. 102 - 105
Copyright
Copyright © Congress on Research in Dance 2002

References

NOTES

1. Deleuze, Gilles and Guattari, Felix, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Massumi, Brian (Minneapolis: University of Minnesota Press, 1987).Google Scholar

2. These comments are elaborated in Briginshaw, Valerie A., Dance, Space and Subjectivity (Basingstoke and New York City: Palgrave, 2001).CrossRefGoogle Scholar

3. Merleau-Ponty, Maurice, The Visible and the Invisible, trans. Lingus, Alphonso (Evanston, IL: Northwestern University Press, 1968), 134.Google Scholar

4. This text was written for oral delivery. It was not edited for publication in order to retain the tone of its original performance. The text was, however, condensed for publication.

5. “Bill T. Jones in Conversation with Ann Daly,” Art Performs Life: Merce Cunningham/Meredith Monk/Bill T Jones (Minneapolis: Walker Art Center, 1998), 123.

6. Brett, Philip, Wood, Elizabeth, and Thomas, Gary C., eds., Queering the Pitch: The New Gay and Lesbian Musicology (New York: Routledge, 1994).Google Scholar

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9. Rich, Adrienne, “Compulsory Heterosexuality and Lesbian Existence,” in Blood, Bread, and Poetry: Selected Prose 1979–1985 (New York: W.W. Norton, 1986), 23–75.Google Scholar

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11. Wood, Elizabeth, “Sapphonics,” in Queering the Pitch, 27–66.Google Scholar

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