Hostname: page-component-cb9f654ff-65tv2 Total loading time: 0 Render date: 2025-08-05T21:20:15.740Z Has data issue: false hasContentIssue false
  • English
  • Français

LABOR AND AESTHETICS IN EUROPEAN CONTEMPORARY DANCE: DANCING PRECARITY by Annelies Van Assche. 2020. Cham, CH: Palgave Macmillian. 293 pp. 7 b/w illustrations, 5 color illustrations. $109.99 e-book. ISBN: 978-3-030-40693-6.

Review products

LABOR AND AESTHETICS IN EUROPEAN CONTEMPORARY DANCE: DANCING PRECARITY by Annelies Van Assche. 2020. Cham, CH: Palgave Macmillian. 293 pp. 7 b/w illustrations, 5 color illustrations. $109.99 e-book. ISBN: 978-3-030-40693-6.

Published online by Cambridge University Press:  07 February 2022

Olive Mckeon
Olive Mckeon*
Affiliation:
Smith College
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Information

Type
Book Review
Information
Dance Research Journal , Volume 53 , Issue 3 , December 2021 , pp. 90 - 92
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Works Cited

Boyle, Michael Shane. 2017. “Performance and Value: The Work of Theatre in Karl Marx's Critique of Political Economy.” Theatre Survey 58 (1): 3–23.10.1017/S0040557416000661CrossRefGoogle Scholar
Brouillette, Sarah. 2014. Literature and the Creative Economy. Stanford: Stanford University Press.Google Scholar
Cvejić, Bojana, Petrešin-Bachelez, Nataša, Théodoropoulou, Vanessa, and Vujanović, Ana. 2010. “Conversation with Maurizio Lazzarato.” TkH: Journal for Performing Arts Theory, no. 17: 12–16.Google Scholar
Jackson, Shannon. 2011. Social Works: Performing Art, Supporting Publics. New York: Routledge.CrossRefGoogle Scholar
Pewny, Katharina, Van Assche, Annelies, Leenknegt, Simon, and Kowal, Rebekah J.. 2019. “Editors’ Note.” Dance Research Journal 51 (1): 1–6.CrossRefGoogle Scholar
Roberts, John. 2015. “Art and the Problem of Immaterial Labour: Reflections on Its Recent History.” In Economy: Art, Production and the Subject in the 21st Century, edited by Dimitrakaki, Angela and Lloyd, Kirsten, 49–66. Liverpool: Liverpool University Press.Google Scholar