Editor's Note
Editor's Note
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- 07 December 2017, pp. 1-3
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Editor's Note
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- 22 August 2017, pp. 1-2
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Editor's Note: Stepping Backward and Moving Forward
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- 19 April 2017, pp. 1-3
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Articles
Site and Re-Site: Early Efforts to Serialize Site Dance
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- 19 April 2017, pp. 6-23
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Swans in Sugarcane Fields: Proletarian Ballet Dancers and the Cuban Revolution's Industrious New Man
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- 22 August 2017, pp. 4-25
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Introduction
Statement from the Dance Studies Association
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- 07 December 2017, p. 4
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Articles
It Matters How You Move: An Ethnographic Memoir on Collaboration Between Dance Studies and Neuroscience
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- 07 December 2017, pp. 6-23
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Afro-Futurism or Lament? Staging Africa(s) in Dance Today and in the 1920s
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- 19 April 2017, pp. 24-36
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Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market
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- 22 August 2017, pp. 26-43
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The Reda Folkloric Dance Troupe and Egyptian State Support During the Nasser Period
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- 07 December 2017, pp. 24-37
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Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance
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- 22 August 2017, pp. 44-61
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Kalbeliya Dance from Rajasthan: Invented Gypsy Form or Traditional Snake Charmers’ Folk Dance?
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- 19 April 2017, pp. 37-54
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When Is Contemporary Dance?
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- 07 December 2017, pp. 38-52
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A Short Article on a Lively Subject: Geltruda Rossi, Sarah Siddons, and Shakespeare's Lady Macbeth à la Fuseli
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- 19 April 2017, pp. 55-69
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Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's (1965) and Shakespeare's (1597) Romeo and Juliets
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- 22 August 2017, pp. 62-78
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Annie Payson Call's Training in Release and Somatic Imagination
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- 19 April 2017, pp. 70-86
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Searching for the Soul: A Training Program for Moroccan Contemporary Dancers
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- 07 December 2017, pp. 53-69
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Representing Soldiers to Soldiers Through Dance: Authenticity, Theatricality, and Witnessing the Pain of Others
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- 22 August 2017, pp. 79-95
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“Ballerinas on the Dole:” Dance and the U.S. Comprehensive Employment Training Act (CETA), 1974–1982
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- 07 December 2017, pp. 70-89
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Book Reviews
Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut . 2016. New York: Oxford University Press. 336 pp., 25 photographs. $99.00 hardcover. ISBN: 9780199360369
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- 19 April 2017, pp. 88-91
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