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Artistic Verisimilitude (II)

  • J. P. Day (a1)

We are now in a position to answer the question of importance or relevance : the question, namely, whether it is true, as it is often claimed to be, that works of fine art which are ∼ AN, in particular tragedies and novels, should be AV; and, if so, why. Briefly, it seems to me that the claim is true for a variety of reasons which I shall now detail.

I pointed out earlier that a literary work is not a tragedy or a work of fiction at all unless it is ∼ AN. (Subsecs. 2.1.1., 2.1.3.) But if it is AV, then it is of course ∼ AN, so that this condition is met. Moreover, it is met n i the most satisfactory way; for, although a work is also ∼ AN if it is ∼ AV, it is evident that the better way of being ∼ AN is to be AV.

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Dialogue: Canadian Philosophical Review / Revue canadienne de philosophie
  • ISSN: 0012-2173
  • EISSN: 1759-0949
  • URL: /core/journals/dialogue-canadian-philosophical-review-revue-canadienne-de-philosophie
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