Hostname: page-component-cb9f654ff-mnl9s Total loading time: 0 Render date: 2025-08-08T04:23:53.988Z Has data issue: false hasContentIssue false
  • English
  • Français

Gender, Race, and Semicolonialism: Liu Na'ou's Urban Shanghai Landscape

Published online by Cambridge University Press:  26 March 2010

Shu-Mei Shih
Get access

Extract

In 1924 a half-Taiwanese, half-Japanese man travelled from Japan to Shanghai to study French at the Jesuit Université L'Aurore. He was young, flamboyant, and rich, and eventually used his own personal funds to found two bookstores and three journals in Shanghai. Despite his ambiguous national identity and lack of formal Chinese education, he also became the founder of a Chinese modernist literary movement called new sensationism (xinganjue pai), earned substantial notoriety, and attracted a host of followers. Murdered by an unidentified assassin in 1939, in his shorr life Liu Na'ou (1900–39) mirrored the literary movement that he created and that died with him. But this was not before he had published an intriguing collection of short stories entitled Scène (his own French title, 1930a), which was in some measure to define what urban writing meant for Chinese writers in Shanghai during the Nanjing decade (1927–37), as the quotation above suggests.

Information

Type
Articles
Information
The Journal of Asian Studies , Volume 55 , Issue 4 , November 1996 , pp. 934 - 956
Copyright
Copyright © The Association for Asian Studies, Inc. 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

List of References

Barlow, Tani. 1993. Editor's introduction and “Colonialism's Career in Postwar China Studies.” positions 1 (1): v–vii, 224–67.CrossRefGoogle Scholar
Bergère, Marie-Claire. 1981. “The Other China': Shanghai from 1919 to 1949.” In Shanghai: Revolution and Development in an Asian Metropolis, edited by Howe, Christopher. Cambridge: Cambridge University Press.Google Scholar
Ch'en, Jerome. 1979. China and the West: Society and Culture, 1815–1937. Bloomington: Indiana University Press.Google Scholar
Chakrabarty, Dipesh. 1992. “Postcoloniality and the Artifice of History: Who Speaks for ‘Indian’ Pasts?” Representations 37 (Winter): 1–26.CrossRefGoogle Scholar
Chan, Ching-Kiu Stephen. 1993. “The Language of Despair: Ideological Representations of the ‘New Woman’ by May Fourth Writers.” In Gender Politics in Modern China: Writing and Feminism, edited by E, Tani. Barlow. Durham, N.C.: Duke University Press.Google Scholar
Chatterjee, Partha. 1993. The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton University Press.Google Scholar
Chow, Rey. 1995. “The Politics of Admittance: Female Sexual Agency, Miscegenation and the Formation of Community in Franz Fanon.” The UTS Review 1 (1): 5–29.Google Scholar
Clifford, Nicholas. 1995. Spoilt Children of Empire: Westerners in Shanghai and the Chinese Revolution of the 1920s. Middlebury, Vt.: Middlebury College Press.Google Scholar
Cohen, Paul. 1984. Discovering History in China. New York: Columbia University Press.Google Scholar
Dikötter, Frank. 1992. The Discourse of Race in Modern China. Stanford: Stanford University Press.Google Scholar
Fanon, Franz. 1952. Peau Noire, Masques Blancs. Paris: Editions du Seuil. English translation Black Skin, White Masks, translated By Markmann, Charles Lam. New York: Grove Weidenfeld, 1967.Google Scholar
Freuhauf, Heinrich. 1933. “Urban Exoticism in Modern and Contemporary Chinese Literature.” In From May Fourth to June Fourth: Fiction and Film in Twentieth Century China, edited by Widmer, Ellen, and Wang, David Der-wei. Cambridge: Harvard University Press.Google Scholar
Fu, Poshek. 1993. Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937–1945. Stanford: Stanford University Press.Google Scholar
Hershatter, Gail. 1989. “The Hierarchy of Shanghai Prostitution, 1870–1949.” Modern China 15 (4): 463–98.CrossRefGoogle Scholar
Hershatter, Gail. 1993. “The Subaltern Talks Back: Reflections on Subaltern Theory and Chinese History.” positions 1 (1): 103–30.CrossRefGoogle Scholar
Kandiyoti, Deniz. 1994. “Identity and Its Discontents: Women and the Nation.” In Colonial Discourse and Post-colonial Theory, edited by Williams, Patrick, and Chrisman, Laura. New York: Columbia University Press.Google Scholar
La nouvelle littérature (Xin Wenyi). 1930. 2 (1).Google Scholar
Lee, Leo Ou-Fan. 1996. “The Cultural Construction of Modernity in Early Republican China: Some Research Notes on Urban Shanghai.” Typescript.Google Scholar
Lee, Tahirih V. 1995. Introduction to “Coping with Shanghai: Means to Survival and Success in the Early Twentieth Century—A Symposium.” Journal of Asian Studies 54 (1): 3–18.CrossRefGoogle Scholar
Lerner, Michael G. 1974. Pierre Loti. New York: Twayne Publishers.Google Scholar
Levenson, Joseph. 1971. Revolution and Cosmopolitanism: The Western Stage and the Chinese Stage. Berkeley: University of California Press.Google Scholar
Na'ou, Liu, ed., and trans. 1928a. Translator's note (yizhe tiji) to Erotic Culture (Seqing Wenhua). Shanghai: Diyixian shudian.Google Scholar
Na'ou, Liu, ed., and trans. 1928b. “On Paul Morand” (Bao'er Muhang lun), by Benjamin Crémieux. Trackless Train (Wugui Lieche) 4 (October): 147–60.Google Scholar
Na'ou, Liu, ed., and trans. 1930a. Scéne (Dushi Fengjingxian). Shanghai: shuimo shudian.Google Scholar
Na'ou, Liu, ed., and trans. trans. 1930b. The Sociology of Art (Yishu Shehuixue), by Vladmir M. Friche. Shanghai: shuimo shudian.Google Scholar
Morand, Paul. 1921. Tendres Stocks (Fancy Goods). Paris: Nouvelle revue française.Google Scholar
Morand, Paul. 1922. Ouvert la Nuit (Open All Night). Paris: Nouvelle revue française.Google Scholar
Nandy, Ashis. 1983. The Intimate Enemy: Loss and Discovery of Self Under Colonialism. Delhi: Oxford University Press.Google Scholar
Parker, Andrew, et al., eds. 1992. Nationalisms and Sexualities. New York: Routledge.Google Scholar
Ransome, Arthur. 1927. The Chinese Puzzle. Boston and New York: Houghton Mifflin.Google Scholar
Said, Edward. 1979. Orientalism. New York: Vintage Books.Google Scholar
Sato, Barbara Hamill. 1993. “The Moga Sensation: Perceptions of the Modan Gāru in Japanese Intellectual Circles During the 1920s.” Gender and History 5 (3): 363–81.CrossRefGoogle Scholar
Sergeant, Harriet. 1991. Shanghai. London: Jonathan Cape.Google Scholar
Zhicun, Shi 1984. “Two Years at Aurora University” (Zhendan Erniari). Historical Materials on New Literature (Xinwenxue Shiliao) 4: 51–54.Google Scholar
Zhicun, Shi. 1985. “We Ran Three Bookstores” (Women Jingying Guo Sange Shudian), Historical Materials On New Literature (Xinwenxue Shiliao), 1: 184–90.Google Scholar
Shih, Shu-Mei. 1992. “Writing Between China and the West: Chinese Modernist Fiction, 1917–1937.” Ph. D. diss. University of California, Los Angeles.Google Scholar
Shih, Shu-Mei. 1994. “Female Confessional Narratives in Modem Chinese Literature” (Zhongguo Xiandai Wenxue Zhong de Nuxing Zibai Xiaoshuo). Con-Temporary (Dangdai) 95 (March): 108–27.Google Scholar
Shih, Shu-Mei. 1996. “Negotiating the Local and the Global: Chinese Modernism in a Field of Discourse.” Typescript.Google Scholar
Silverberg, Miriam. 1991. “The Modern Girl as Militant.” In Recreating Japanese Women, 1600–1945, edited by Berstein, Gail Lee. Berkeley: University of California Press.Google Scholar
Yat-Sen, Sun. 1950. The Three Principles of the People (Sanmin zhuyi). Taibei: hongyang gaizao weiyuanhui.Google Scholar
Jingsun., Tao 1927. Concert Ditties (Yinyuehui Xiaoqu). Shanghai: chuangzao she.Google Scholar
Williams, Raymond. 1989. The Politics of Modernism: Against the New Conformists. London: Verso.Google Scholar
Xiacun, Xu, trans. 1929a. Mme. Chrysanthème (Juzi Furen), by Loti, Pierre. Shanghai: Shangwu Yinshuguan.Google Scholar
Xiacun, Xu, trans. 1929b. “Modern Girl.” La nouvelle littérature (Xinwenyi) 1(3): 406–13.Google Scholar
Jiayan, Yan. 1989. A History of Schools of Modern Chinese Fiction (Zhongguo Xiandai Xiaoshuo Liupaishi). Beijing: renmin wenxue chubanshe.Google Scholar
Yeh, Wen-Hsin, and Wakeman, Frederic. 1992. Introduction to Shanghai Sojourners. Berkeley: Institute of East Asian Studies, University of California, Berkeley.Google Scholar
Tong, Yi. 1944. “Remembering Liu Na’ou” (Ji Liu Na’ou). In Historical Materials on the Literary Arena (Wentan Shiliao), edited by Yang Yiming. Dalian.Google Scholar
Zhang, Yingjin. 1996. The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender. Stanford: Stanford University Press.Google Scholar