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A Volute Krater at Taranto1

Published online by Cambridge University Press:  23 December 2013

A. Dale Trendall
Affiliation:
British School, Rome

Extract

In April 1898 at Ceglie near Bari there was discovered a large tomb, the principal contents of which consisted of a number of vases, some entire but most of them in a fragmentary condition, which were later acquired by the Taranto Museum, where they now are. Two of these vases, both large volute kraters, on account of the great interest of the subjects and of the general excellence of their composition and drawing, are of the highest importance for the study of early South Italian pottery and it seems surprising that they have remained so long unpublished, despite an ever-increasing amount of literature about them. One, published earlier in the present year, depicts (a) seated Dionysus surrounded by his followers and (b) on the upper register, Perseus terrifying the silens with the Gorgon's head, and below, dancers at the festival of the Karneia. The other vase (Plates VIII, IX) is even more richly figured as it has separate scenes on the neck as well. Its obverse shews (i) a scene from the fight between the Centaurs and Lapiths, (ii) the birth of Dionysus; and the reverse, (i) Herakles served by silens, (ii) an Amazonomachy. Two are subjects common in the repertory of the vase painter, two are rare.

Type
Research Article
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1934

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References

2 The ancient town of Caelia; see RE. III. i, 1252.

3 Quagliati, , NSc. 1900, p. 504Google Scholar.

4 Cases 93, 95, 165, 166.

5 Wuilleumier, , RA. 1933, ii, pp. 330Google Scholar, where bibliography. Add Philippart, , Collections de la Céramique en Italie, 2, p. 68Google Scholar.

6 Case 165, Ceglie 109. Large volute krater with swan's-head handles, ht. 77 cm.; repaired and restored, with a good deal of surface repainting on handles and neck. Traces of gilding. Bibliography:—Beazley, , Greek Vases in Poland, p. 72Google Scholar, n. 4; Moon, , BSR. 1929, p. 39Google Scholar; Wuilleumier, , RA. 1929, ii, p. 202Google Scholar and 1931, i, p. 250; Quagliati, op. cit. p. 506, no. 7; Il Museo Nazionale di Taranto, p. 25; Philippart, op. cit. p. 68, no. 3; Watzinger, FR. iii, p. 348, n. 13.

7 N. H. xxxv, 140: Ctesilochus, Apellis discipulus, petulanti pictura innotuit Ioue Liberum parturiente depicto mitrato et muliebriter ingemescente inter opstetrica dearum. Cf. Sellers' note ad loc. in her edition of Pliny's chapters on painting.

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10a Inv. no. 1216. 19. Figured in outline in Philippart, Iconographie des Bacchantes d'Euripide, no. 22, fig. 2. I have to thank Dr. Greifenhagen for the photograph.

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33 RA. 1929, ii, p. 209; 1931, i, p. 250.

34 Masterpieces, p. 110.