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The road not taken: The Sound Pattern of Russian and the history of contrast in phonology

Published online by Cambridge University Press:  07 December 2020

B. ELAN DRESHER*
Affiliation:
University of Toronto
DANIEL CURRIE HALL*
Affiliation:
Saint Mary’s University
*
Authors’ addresses: University of Toronto, Department of Linguistics, 100 St. George Street, room 4073, Toronto, Ontario M5S 3G3, Canada dresher@chass.utoronto.ca
Authors’ addresses: Saint Mary’s University, 923 Robie Street, Halifax, Nova, Scotia B3H 3C3, Canada daniel.hall@utoronto.ca

Abstract

This article examines a turning point in the history of the theory of phonological distinctive features. In Morris Halle’s (1959) The Sound Pattern of Russian, features are organized into a contrastive hierarchy designed to minimize the number of specified features. Redundancy rules, however, ensure that the resulting underspecification has no real phonological consequences and, in subsequent generative approaches to phonology, contrastive hierarchies were largely abandoned. We explore how Halle’s hierarchy would have been different if it had been based on phonological patterns such as voicing assimilation, and show that this reorganization makes plausible predictions about other aspects of Russian phonology. We conclude by pointing to recent work in which the concept of a contrastive hierarchy has been revived, illustrating the range of phenomena that this theoretical device can account for if minimizing specifications is not the primary concern.

Information

Type
Looking Back, Moving Forward
Copyright
© The Author(s), 2020. Published by Cambridge University Press

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