Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-23T14:27:25.327Z Has data issue: false hasContentIssue false

The born-digital publication of Villa A at Oplontis - J. R. Clarke, and N. K. Muntasser, eds. 2019. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 2: The Decorations: Painting, Stucco, Pavements, Sculptures. New York: The Oplontis Project. ACLS Humanities E-Book. https://hdl.handle.net/2027/heb.90048 [Open Access]. Pp. cxiv + 1594, 2,386 color and black-and-white figs. ISBN 978-1-628280-138-3.

Review products

J. R. Clarke, and N. K. Muntasser, eds. 2019. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 2: The Decorations: Painting, Stucco, Pavements, Sculptures. New York: The Oplontis Project. ACLS Humanities E-Book. https://hdl.handle.net/2027/heb.90048 [Open Access]. Pp. cxiv + 1594, 2,386 color and black-and-white figs. ISBN 978-1-628280-138-3.

Published online by Cambridge University Press:  21 July 2021

Sarah E. Lepinski
Affiliation:
Metropolitan Museum of Art, New York
Elizabeth Bartman
Affiliation:
Independent scholar
John J. Herrmann Jr.
Affiliation:
Museum of Fine Arts, Boston

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barbet, A. 2005. Zeugma II. Peintures murales romaines. Istanbul: Institut française d’études anatoliennes–Georges Dumézil.Google Scholar
Bergmann, B. 2002. “Art and nature in the villa at Oplontis.” In Pompeian Brothels, Pompeii's Ancient History, Mirrors and Mysteries Art and Nature at Oplontis, & the Herculaneum “Basilica,” ed. Humphrey, J., 87121. JRA Suppl. 47. Portsmouth, RI: Journal of Roman Archaeology.Google Scholar
Bergmann, B. 2016. “The gardens and garden paintings of Villa A.” In Leisure & Luxury in the Age of Nero. The Villas of Oplontis near Pompeii, ed. Gazda, E. and Clarke, J. R., 96110. Ann Arbor: Kelsey Museum of Archaeology. Exhibition catalog.Google Scholar
Bruno, M., Attanasio, D., and Prochaska, W.. 2015. “The Docimium marble sculptures of the Grotto of Tiberius at Sperlonga.” AJA 119, no. 3: 375–94.CrossRefGoogle Scholar
Clarke, J. R. 2014. “History of the excavations 1964–1988.” In Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 1: The Ancient Setting and Modern Rediscovery, ed. Clarke, J. R. and Muntasser, N. K., 722928. New York: The Oplontis Project.Google Scholar
Clarke, J. R., and Muntasser, N. K., eds. 2014. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 1: The Ancient Setting and Modern Rediscovery. New York: The Oplontis Project. ACLS Humanities E-Book. https://hdl.handle.net/2027/heb.90048.0001.001.Google Scholar
de Certeau, M. 1984. The Practice of Everyday Life. Transl. Rendall, S. F.. Berkeley: University of California Press.Google Scholar
Falzone, S. 2007. Ornata aedificia. Pitture parietali dalle case ostiensi. Rome: Libreria dello Stato, Istituto Poligrafico e Zecca dello Stato.Google Scholar
Fentress, E. 2018. “Doing away with paper: Three online publications of excavations in Italy.” JRA 31: 753–59.Google Scholar
Gazda, E. K., and Clarke, J. R., eds. 2016. Leisure & Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Ann Arbor, MI: Kelsey Museum of Archaeology. Exhibition catalog.Google Scholar
Herrmann, J. J. Jr., and Tykot, R. H.. 2009. “Some products from the Dokimeion quarries: craters, tables, capitals, and statues.” In ASMOSIA VII, ed. Maniatis, Y., 5975. BCH Suppl. 51. Athens: École française d'Athènes.Google ScholarPubMed
Joshel, S. R., and Petersen, L. H.. 2014. The Material Life of Roman Slaves. Cambridge: Cambridge University Press.Google Scholar
Landwehr, C. 1985. Die antiken Gipsabgüsse aus Baiae. Griechische Bronzestatuen in Abgüssen römischer Zeit. Berlin: Mann.Google Scholar
Mirella, M. “Nerone.” DecArch. December 15, 2011. https://www.decarch.it/wiki/index.php/Nerone.Google Scholar
Nuzzo, E. 2010. “Subtilitas Phlegraea: Nota sulla formazione del linguaggio architettonico a Cuma in età augustea.” MÉFRA 122, no. 2: 377–98.Google Scholar
Pensabene, P. 2018. “Villa A di Oplontis: Elementi della decorazione architettonica in marmo.” RStPomp 29: 4586.Google Scholar
Pensabene, P., Antonelli, F., Cancelliere, S., and Lazzarini, L.. 2015. “Archaeology and archaeometry of the sculptures found in the ‘Villa di Poppea’ at Oplontis (Torre Annunziata, Naples).” In ASMOSIA X, ed. Pensabene, P. and Gasparini, E., 615–27. Rome: “L'Erma” di Bretschneider.Google Scholar
Picón, C. A., and Hemingway, S., eds. 2016. Pergamon and the Hellenistic Kingdoms of the Ancient World. New York: Metropolitan Museum of Art.Google Scholar
Price, M. T. 2012. “Corsi Collection of Decorative Stones.” Oxford University Museum of Natural History. May 2012. https://www.oum.ox.ac.uk/corsi/.Google Scholar
Pugliese Carratelli, G., and Baldassarre, I.. 1990–2003. Pompei. Pitture e mosaici. Rome: Istituto della enciclopedia italiana.Google Scholar
Tomei, M. A., and Rea, R.. 2011. Nerone. Milan: Electa.Google Scholar
Zanker, P. 2000. “The city as symbol: Rome and the creation of an urban image.” In Romanization and the City: Creations, Transformations, and Failures: Proceedings of a Conference Held at the American Academy in Rome to Celebrate the 50th Anniversary of the Excavations at Cosa, 14–16 May 1998, ed. Fentress, E., 2541. JRA Suppl. 38. Portsmouth, RI: Journal of Roman Archaeology.Google Scholar
Zimmermann, N., and Ladstätter, S.. 2010. Wandmalerei in Ephesos von hellenistischer bis in byzantinische Zeit. Vienna: Phoibos.Google Scholar