Adorno, Theodor W. Aesthetic Theory. Edited and translated by Hullot-Kentor, Robert. Minneapolis: University of Minnesota Press, 1997.
Albrecht, Theodore. “Beethoven and Shakespeare's Tempest: New Light on An Old Allusion.” Beethoven Forum 1 (1992): 81–92.
Beethoven, Ludwig van. Piano Sonatas Volume II. Edited by Wallner, Bertha Antonia and Hansen, Conrad. Munich: G. Henle Verlag, 1980.
Benjamin, Walter. The Origin of German Tragic Drama. Translated by Osborne, John. New York: Verso, 1998.
Bergé, Pieter et al. , ed. Beethoven's “Tempest” Sonata: Perspectives of Analysis and Performance. London: Peeters, 2009.
Bolter, Jay David and Grusin, Richard. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 2000.
Candee, Marjorie Dent, ed. Current Biography Yearbook 1954. New York: H. H. Wilson, 1954.
Carroll, Noël. “The Specificity of Media in the Arts.” The Journal of Aesthetic Education 19, no. 4 (1985): 5–20.
Caves, Richard E. Switching Channels: Organization and Change in TV Broadcasting. Cambridge, MA: Harvard University Press, 2005.
Cooke, Mervyn. A History of Film Music. Cambridge: Cambridge University Press, 2008.
Corliss, Richard. “Liberace: The Evangelist of Kitsch.” Time November 3, 1986, 96.
Doty, Alexander. “The Cabinet of Lucy Ricardo: Lucille Ball's Star Image.” Cinema Journal 29, no. 4 (1990): 3–22.
Edgerton, Gary, ed. The Columbia History of American Television. New York: Columbia University Press, 2010.
Fletcher, James. “Syndication.” In Encyclopedia of Television, 2nd ed., edited by Newcomb, Horace, 4:2247–48. New York: Fitzroy Dearborn, 2004.
Fuller-Seeley, Kathryn H. “Learning to Live With Television: Technology, Gender, and America's Early TV Audience.” In The Columbia History of American Television, edited by Edgerton, Gary, 90–110. New York: Columbia University Press, 2010.
Fried, Michael. “Art and Objecthood,” in Art and Objecthood: Essays and Reviews. Chicago: The University of Chicago Press, 1998.
Gimbly, Robert S., and Wayne, John L.. When Liberace Winks at Me. Toronto: BMI Canada, 1954.
Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs-Merrill, 1968.
Head, Matthew. Sovereign Feminine: Music and Gender in Eighteenth-Century Germany. Berkeley: University of California Press, 1993.
Heidegger, Martin. The Question Concerning Technology, and Other Essays. Translated by Lovitt, William. New York: Garland Publishing, 1977.
Greenberg, Clement. “Towards a Newer Laocoon.” Partisan Review 7 (1940): 296–310.
Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Oxford University Press, 1992.
Jagoda, Patrick. Network Aesthetics. Chicago: The University of Chicago Press, 2016.
Krauss, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. New York: Thames & Hudson, 1999.
Lessing, Gotthold Ephraim. Laokoon, oder über die Grenzen der Malerei und Poesie: Studienausgabe. Stuttgart: Reclam, 2012.
Loesser, Arthur. Men, Women, and Pianos: A Social History. 2nd rev. ed. New York: Dover, 1990.
Pyron, Darden Asbury. Liberace: An American Boy. Chicago: University of Chicago Press, 2000.
Reed, Robert M. The Encyclopedia of Television, Cable, and Video. Boston: Springer, 1992.
Schindler, Anton. Beethoven As I Knew Him. Edited by MacArdle, Donald W.. Translated by Jolly, Constance S.. Mineola, NY: Dover Publications, 1996.
Spigel, Lynn. Welcome to the Dreamhouse: Popular Media and Postwar Suburbs. Durham, NC: Duke University Press, 2001.
Sontag, Susan. Against Interpretation and Other Essays. New York: Farrar, Straus and Giroux, 1966.
Teachout, Terry. “The New-Media Crisis of 1949: Network Radio's Fate Has Some Lessons for Today,” Wall Street Journal, August 22, 2009.
Thomas, Bob. Liberace: The True Story. New York: St. Martin's, 1987.
Thompson, Michael. Rubbish Theory: The Creation and Destruction of Value. Oxford: Oxford University Press, 1979.
Thorson, Scott. Behind the Candelabra: My Life with Liberace. New York: Dutton, 1988.
Thym, Jürgen. “The Instrumental Recitative in Beethoven's Compositions.” In Essays on Music for Charles Warren Fox, edited by Graue, Jerald C., 230–40. Rochester, NY: Eastman School of Music Press, 1979.
Tibbetts, John C. Composers in the Movies: Studies in Musical Biography. New Haven, CT: Yale University Press, 2005.
White, Rosie. “Funny Peculiar: Lucille Ball and the Vaudeville Heritage of Early American Television Comedy.” Social Semiotics 26, no. 3 (2016): 298–310.
Witt, Edythe. “Mature Women Are Best: TV's Top Pianist Reveals What Kind of Woman He'd Marry.” Coronet 37 (1954): 79–83.
Wyatt, Sally. “Technological Determinism is Dead; Long Live Technological Determinism.” In The Handbook of Science and Technology Studies, edited by Hackett, Edward J. et al. , 165–80. Cambridge, MA: MIT Press, 2008.