Hostname: page-component-76fb5796d-9pm4c Total loading time: 0 Render date: 2024-04-28T10:02:17.885Z Has data issue: false hasContentIssue false
  • English
  • Français

The Rhetoric of Theory: the Role of Metaphor in Brook's ‘The Empty Space’

Published online by Cambridge University Press:  15 January 2009

Graham Ley
Get access Rights & Permissions [Opens in a new window]

Abstract

In his discussion-piece for NTQ 28 (1991), Graham Ley raised questions about the self-determination of the avant-garde, drawing on analogies from dance and design to explore the problem of the post-modern in the theatre. He also outlined a critique of what he called an ‘alternative establishment in theatrical endeavour’: here, he extends that critique into an analysis of the techniques of persuasion to be found in one of the most influential texts in post-war theatrical theory, Peter Brook's The Empty Space, arguing for an enhanced attention to be given to the language and textuality of theory. Graham Ley is a writer and researcher who has taught in the Universities of London and Auckland. As Australian Studies Fellow in Theatre at the University of New South Wales in 1984, he compiled jointly with Peter Fitzpatrick of Monash University the survey of new developments in Australian theatre published in NTQ5 (1986). Among his numerous publications on ancient performance, A Short Introduction to the Ancient Greek Theater appeared from the University of Chicago Press in 1991. He is currently working on a book on theatrical theory.

Type
Research Article
Information
New Theatre Quarterly , Volume 9 , Issue 35 , August 1993 , pp. 246 - 254
Copyright
Copyright © Cambridge University Press 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes and References

1. I refer fairly directly here to deconstruction, which – despite its influence on most forms of literary criticism – has had very little impact on the variety of discourses in theatrical and performance theory. The key texts for me are Derrida, Jacques, Of Grammatology, trans. Spivak, Gayatri (Baltimore, 1977)Google Scholar, and de Man, Paul, Allegories of Reading (New Haven, 1979).Google Scholar

2. ‘Sacred Idiocy: the Avant-Garde as Alternative Establishment’, New Theatre Quarterly, VII, No. 28 (1991), p. 348–52.

3. All page references to The Empty Space are to the Pelican Books edition.

4. Not, however, unique: the metaphor of search and movement presides over the recent collection of occasional writings by , Brook, published as The Shifting Point: Forty Years of Theatrical Exploration, 1946–1987 (London, 1988).Google Scholar