Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 3
TAO: a physical modelling system and related issues
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- Published online by Cambridge University Press:
- 01 April 1996, pp. 43-50
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- Cited by 3
A perceptual approach to the analysis of J. C. Risset’s Sud: sound, structure and symbol
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- Published online by Cambridge University Press:
- 19 July 2001, pp. 97-106
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- Cited by 3
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds
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- Published online by Cambridge University Press:
- 26 April 2022, pp. 35-42
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Generative Music for Live Performance: Experiences with real-time notation
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- Published online by Cambridge University Press:
- 13 November 2014, pp. 276-285
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Editorial
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- Published online by Cambridge University Press:
- 30 June 2014, pp. 107-109
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A Day in Algonquin Park: William W. H. Gunn and the circadian audio portrait
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- 12 July 2017, pp. 206-216
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The phase vocoder: theory and practice
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- 19 July 2001, pp. 127-145
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The Emergence of an Ecstatic-materialist Perspective as a Cross-genre Tendency in Experimental Music
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- 24 November 2017, pp. 428-436
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Technology and Pierre Schaeffer: Pierre Schaeffer's Arts-Relais, Walter Benjamin's technische Reproduzierbarkeit and Martin Heidegger's Ge-stell
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- 04 April 2001, pp. 35-43
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Investigating Sound in Space: Five meanings of space in music and sound art*
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- 07 July 2015, pp. 241-248
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Timescales and the Factors Influencing Time Perception
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- 06 August 2020, pp. 221-231
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Musical Borrowing in Sonification
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- 24 September 2019, pp. 184-194
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Hidden grids: paths of expressive gesture between instruments, music and dance
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- 30 May 2001, pp. 17-26
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Towards a semiotic model of mixed music analysis
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- 14 August 2006, pp. 93-100
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Technological implications of Phill Niblock's drone music, derived from analytical observations of selected works for cello and string quartet on tape1
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- 03 November 2008, pp. 225-235
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Social and perceptual processes in the installation The Trade
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- 08 June 2001, pp. 85-94
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Extra-Musical Meanings and Spectromorphology
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- 25 February 2011, pp. 36-41
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A layered architectural model for music: Malaysian music on the World Wide Web
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- 01 August 1998, pp. 101-115
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‘Human understanding’ in imagining and organising sound: some implications of John Locke's Essay for ecological, cognitive and embodied approaches to composition
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- 05 April 2007, pp. 89-95
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Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook*
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- 11 March 2010, pp. 13-25
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