This study approaches Henry David Thoreau as a model housekeeper whose genderqueer housekeeping generates nonexpansionary modes of relation. I bring together Thoreau’s biography, reception history, queer literary history, and ecolinguistics to resituate Walden within, rather than against, the popular discourse of domestic economy. By restoring Thoreau’s connections with conventional femininity, one can begin to see how his housekeeping, gardening, and animal husbandry in Walden expand his sense of kinship and give rise to a radically social environmental practice. By playing with the boundary between house and habitat, Thoreau frugally expands his affections and comforts without expanding his ecological footprint.

This essay argues that in Chaucer’s The Franklin’s Tale, Dorigen develops a selfhood that remains unflinchingly available to others. While the tale’s men pursue a closed selfhood subtended by chivalric expectations for heroic masculinity, Dorigen’s porous selfhood represents a different, vulnerable ideal. Dorigen’s selfhood is open and trusting, and it meets the material world in all its ugliness and danger. Throughout her promise and her complaint, Dorigen maintains a subjectivity that is open to all and bound to none; her difficulties, we argue, arise not from naivete but from the ways in which the buffered, chivalric world disallows and even destroys other formations of selfhood. Although Dorigen recedes by the tale’s conclusion, her boundless, permeable subjectivity is held up as The Franklin’s Tale’s ideal, and the threats to it are clearly exposed as broader harms by the tale’s end.

This article argues that Omar El Akkad’s debut novel, American War (2017), offers insight into the possibilities of trauma fiction in the twenty-first century. American War is analyzed as a case study for the trauma novel of the twenty-first century—a literary exploration of future and ongoing trauma, rather than a text “working through” a past event. The novel offers as well an unrelenting image of the cost of refusals of care in the early twenty-first century, the last decades in which the impending disaster might be averted. Queer affect theory inflects trauma studies in ways that allow us as readers to describe trauma that is systemic and ongoing; it also allows us to articulate the disproportionate effects of climate trauma on certain human communities, the physical and mental toll of such effects, and the necessity of bearing witness to climate trauma’s causes and consequences in ways that not only create space for but also call forth interventionist action.

This essay considers a 2000 production of the Chester Mystery Cycle by the South African theater company Isango Ensemble. Through its use of a syncretic, decolonial aesthetic, Yiimimangaliso: The Mysteries functioned as a surrogation of the medieval mystery cycle tradition toward new ends in the context of the collapse of apartheid and the birth of the new South African democracy under the banner of “Rainbow Nationhood.” In tracing its syncretic use of indigenous aesthetics, its creation alongside the Truth and Reconciliation Commission, and its disparate domestic and Western receptions, I interrogate how phenomenologies of race functioned to reanimate a sense of spiritual efficacy that links the legacy of medieval religious drama with the alterity of black, non-Western subjects under a racialized notion of the unmodern.

This article uncovers the fractured and conflicting understandings of sex and gender in early medieval England around the year 1000 CE by exploring the Old English literary biographies of two saints often presented as women disguised as men. Ælfric’s Eugenia upholds binary gender expectations, while an alternative version of Eugenia—changed by a scribe and surviving in the burned remains of a single manuscript—oscillates between acceptance and intolerance. The anonymous Euphrosyne, in contrast, challenges gender norms throughout. This article argues that these characters and the texts’ competing views on sex and gender can be best understood by recognizing these two saints not as women in disguise but as trans men. A trans studies approach combined with philology and source study respects these two figures on their own terms while also uncovering elements of these texts and their cultural context that usually lie obscured.