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British Progressive Pop 1970–1980. By Andy Bennett. London: Bloomsbury Academic, 2020. 162 pp. ISBN: 978-1-5013-3663-8

Published online by Cambridge University Press:  19 March 2021

Mark Spicer
Mark Spicer*
Affiliation:
City University of New York
*
mark.spicer@hunter.cuny.edu
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Abstract

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Type
Review
Information
Popular Music , Volume 39 , Issue 3-4 , December 2020 , pp. 726 - 729
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

Bennett, A. 2010. ‘Missing links: Britpop Traces, 1970–1980’, in Britpop and the English Music Tradition, ed. Bennett, A. and Stratton, J. (Burlington, VT, Ashgate), pp. 71–85Google Scholar
Braae, N. 2015. ‘Sonic patterns and compositional strategies in Queen's “Bohemian Rhapsody”’, Twentieth-Century Music, 12/2, pp. 173–96CrossRefGoogle Scholar
Braee, N. 2016. ‘A kind of magic: identifying and analysing Queen's Idiolect, 1973–80’, PhD dissertation, University of WaikatoGoogle Scholar
I'm Not in Love – The Story of 10cc. 2015. BBC4 DocumentaryGoogle Scholar
Spicer, M. 2018. ‘The Electric Light Orchestra and the anxiety of the Beatles’ influence’, in The Pop Palimpsest: Intertextuality in Recorded Popular Music, ed. Burns, L. and Lacasse, S. (Ann Arbor, MI, University of Michigan Press), pp. 106–36.Google Scholar