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Essay review: club culture goes mental

  • David Hesmondhalgh (a1)
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References
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Bourdieu, P. 1984. Distinction (London)
Bradby, B. 1993. ‘Sampling sexuality: gender, technology and the body in dance music’, Popular Music, 12/2, pp. 155–76.
Gelder, K. and Thornton, S. 1997. The Subcultures Reader (London)
Harley, R. 1993. ‘Beat in the system’, Rock and Popular Music, eds Bennett, T. et al. (London) pp. 210–30
Hesmondhalgh, D. 1997. ‘Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade’, Popular Music 16/3, pp. 247–66
James, M. 1997. State of Bass (London)
Kempster, C. (ed.) 1996. History of House (London)
Langlois, T. 1992. ‘Can you feel it? DJs and house music culture in the UK’, Popular Music, 11/2, pp. 229–38
McRobbie, A. 1993. ‘Shut up and dance: youth culture and changing modes of femininity’, Cultural Studies 7/3, pp. 406–26
Noys, B. 1995. ‘Into the “Jungle”’, Popular Music 14/3, pp. 321–32
Redhead, S. (ed.) 1993. Rave Off (Aldershot)
Reynolds, S. 1998. Generation E (London)
Rietveld, G. 1998. This is our House (Aldershot)
Sharma, S., Hutnyk, J. and Sharma, A. 1996. Dis-Orienting Rhythms (London)
Straw, W. 1991. ‘Systems of articulation, logics of change: communities and scenes in popular music’, Cultural Studies, 5/3, pp. 368–88
Tagg, P. 1994. ‘From refrain to rave: the decline of figure and the rise of ground’, Popular Music, 13/2, pp. 209–22
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Popular Music
  • ISSN: 0261-1430
  • EISSN: 1474-0095
  • URL: /core/journals/popular-music
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