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The Race of Sound: Listening, Timbre and Vocality. By Nina Sun Eidsheim. Durham, NC: Duke University Press, 2019. 288 pp. ISBN 978-0-8223-6868-7

Published online by Cambridge University Press:  25 March 2022

Matthew A. Williams
Matthew A. Williams*
Affiliation:
University of Bristol
*
mw17087@bristol.ac.uk
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Abstract

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Type
Review
Information
Popular Music , Volume 40 , Issue 3-4 , December 2021 , pp. 538 - 540
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

Barthes, R., trans. Heath, S. 1987. Image, Music, Text (London , Fontana Press)Google Scholar
Eidsheim, N. S. 2015. Sensing Sound: Singing & Listening as Vibrational Practice. Sign, Storage, Transmission (Durham, NC, Duke University Press)Google Scholar
Morrison, M. D. 2019. ‘Blacksound’, in The Oxford Handbook of Western Music and Philosophy, ed. McAuley, T., Nielsen, N., Levinson, J. and Phillips-Hutton, A. (Oxford, Oxford University Press), pp. 553–77Google Scholar
Morrison, M. D. 2020. ‘Race, Blacksound, and the (re)making of musicological discourse’, Journal of the American Musicological Society, 72/3, pp. 781–823CrossRefGoogle Scholar
Stoever, J. L. 2016. The Sonic Color Line: Race and the Cultural Politics of Listening. Postmillennial Pop (New York, New York University Press)CrossRefGoogle Scholar