82 This analysis follows an overarching theme in borderland, postcolonial, and Latinx literatures, of irreconcilable contradictions stemming from histories of conquest and colonization. Gloria Anzaldúa describes these contradictions, symbolized by the border itself, as una herida abierta, an open wound, but, drawing on José Vasconcelos, maintains the possibility for future transformation in mestizaje, the synthesis of these contradictions. Initial theological adoptions of mestizaje, as in the work of Elizondo, went further, claiming mestizaje as a symbol of reconciliation. Nestor Medina has critiqued this view, arguing that cultural, ethnic, and geographical legacies of conquest cannot be covered over by idealized, universalized synthesis. Contradictions remain. It should be noted that Elizondo himself arguably embodied the very contradiction his work helps to illuminate. A legendary pastoral leader and theologian, especially for the Hispanic Catholic community in San Antonio, in May 2015 Elizondo was named in a lawsuit by a man who reported that, as a boy, Elizondo kissed and fondled him when he went to Elizondo in 1983 to report abuse by another priest. Elizondo vigorously denied the accusation. He died by suicide the following year, leaving a painful and ambiguous legacy. See José Vasconcelos, La Raza Cosmica, bilingual edition (Los Angeles: California State University, 1979 [1925]); Gloria Anzaldúa, Borderlands/La Frontera (San Francisco: Aunt Lute Books, 1987); Virgilio P. Elizondo, The Future Is Mestizo: Life Where Cultures Meet, rev. ed. (Louisville: University Press of Colorado, 2000); and Medina, Nestor, Mestizaje: Remapping Race, Culture, and Faith in Latina/o Catholicism (Maryknoll, NY: Orbis, 2009)Google Scholar.