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Igor Stravinskii—East and West - Igor Stravinsky and Robert Craft, Themes and Episodes. New York: Knopf, 1966. Pages x, 352, xvi. $6.95. - Eric Walter White, Stravinsky: The Composer and His Works. Berkeley and Los Angeles: University of California Press, 1966. Pages xv, 608. $18.50. - Roman Vlad, Stravinsky. Translated from the Italian by Frederick and Ann Fuller. 2d ed. London, New York, and Toronto: Oxford University Press, 1967. Pages vii, 264. $7.50.

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Igor Stravinsky and Robert Craft, Themes and Episodes. New York: Knopf, 1966. Pages x, 352, xvi. $6.95.
Eric Walter White, Stravinsky: The Composer and His Works. Berkeley and Los Angeles: University of California Press, 1966. Pages xv, 608. $18.50.
Roman Vlad, Stravinsky. Translated from the Italian by Frederick and Ann Fuller. 2d ed. London, New York, and Toronto: Oxford University Press, 1967. Pages vii, 264. $7.50.

Published online by Cambridge University Press:  27 January 2017

Simon Karlinsky
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Review Articles
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Slavic Review , Volume 27 , Issue 3 , September 1968 , pp. 452 - 458
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Copyright © Association for Slavic, East European, and Eurasian Studies. 1968

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References

1 For a detailed chronology of changing Soviet attitudes to Stravinskii see Boris Schwarz, “Stravinsky in Soviet Russian Criticism,” in Paul Henry Lang, ed., Stravinsky: A New Appraisal of His Work (New York, 1963), pp. 74-95.

2 Igor’ Stravinskii, Khronika moei zhizni, translated by L. V. Iakovleva-Shaporina, edited by V. M. Bogdanov-Berezovskii (Leningrad, 1963).

3 Igor’ Stravinskii: Kratkii ocherk zhizni i tvorchestva (Moscow, 1964).

4 For example, “An Introduction to Igor Stravinsky” in Peter Yates, Twentieth Century Music (New York, 1967), pp. 202-18. Mr. Yates has written about Stravinskii with distinction and perception in a number of articles and in the column he used to contribute in the 1940s to the journal California Arts and Architecture.

5 “Stravinsky and Tchaikovsky: Le Baiser de la fée” in Lang, op. cit., pp. 47-60.

6 For example, “A strong bond connects me with Pushkin's creativeness,” wherein “creativeness” must surely stand for the Russian tvorchestvo (i.e., ceuvre).

7 The other volumes in the series are Memories and Commentaries (New York, 1960), Expositions and Developments (New York, 1962), and Dialogues and a Diary (New York, 1963).