Hostname: page-component-8448b6f56d-qsmjn Total loading time: 0 Render date: 2024-04-25T04:41:45.008Z Has data issue: false hasContentIssue false

All's Well that Ends Well in the American Theatre

Published online by Cambridge University Press:  21 October 2010

Extract

In 1959, after a sparse and dismal stage history, All's Well that Ends Well was given two productions in the professional theatre. Surprisingly both productions were well received by critics and audiences. Both productions enjoyed long and successful runs; the number of performances in each case surpassed that of any previous production of the play. Yet, the two productions differed markedly in interpretation. I am tempted to say that the audiences saw two different plays.

Type
Research Article
Copyright
Copyright © American Society for Theatre Research 1966

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

NOTES

1 Thé Spectator, CXCIV (May 6, 1955), 586.

2 “The Stage History,” All's Well that Ends Well, ed. by Sir Arthur Quiller-Couch and John Dover Wilson, Cambridge, England, 1929, p. 189.

3 New York, J939, p. 61.

4 “Shakespeare and Philadelphia,” An Address Delivered before the City Historic Society of Philadelphia, Nov. 28, 1934, Philadelphia, 1936, p. 58.

5 Shakespeare's All's Well that Ends Well as Produced In Brief at the Globe Theatre, Century of Progress, Chicago, New York, 1934, note 3.

6 New York, 1911, p. 24.

7 Seilhamer, George O., History of the American Theatre During the Revolution and After, II, Philadelphia, 1889, 269.Google Scholar

8 Unpublished scrapbook, “Federal St. Theatre, Boston: 1794–1803,” compiled by H. I. Jackson, now located in the Harvard Library Theatre Collection.

9 Wood, William B., Personal Recollections of the Stage, Philadelphia, 1855, p. 432.Google Scholar

10 See p. 50 of Winter's, Shakespeare on the Stage, New York, 1911 and p. 295Google Scholar of Spencer's work, New York, 1940.

11 Winter's correspondence with Daly is contained in the Daly collection at the Folger Shakespeare Library, as are the Daly promptbooks.

12 Feldheim, Marvin, The Theatre of Augustin Daly, Cambridge, Mass., 1956, p. 228.CrossRefGoogle Scholar

13 The Life of Augustin Daly, New York, 1917.

14 Ada Rehan, New York, 1898, p. 35.

15 Feldheim, pp. 40–1.

16 Carnahan, Elizabeth, “Shakespeare at the Bungalow,” The Shakespeare Association Bulletin, IV (July, 1929), 75.Google Scholar

17 Robinson, Horace W., “Shakespeare, Ashland, Oregon,” SQ, VI (Autumn, 1955), 451.Google Scholar

18 Horn, R. D., “Shakespeare and Ben Jonson-Ashland, 1961,” SQ, XII (Autumn, 1961), 415.Google Scholar

19 “Shakespeare at Antioch,” SQ, VII (Autumn, 1956), 411–4.

20 Guthrie, Tyrone, A Life in the Theatre, New York, 1959, p. 320.Google Scholar

21 “The Players,” Renown at Stratford: A Record of the Shakespeare Festival in Canada, 1953, Toronto, 1953, p. 50.

22 New York Herald Tribune, July 19, 1953.

23 Renown at Stratford, p. 50.

24 Ibid., pp. 50 and 77.

25 XLII (Aug. 22, 1959), 23.