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MOVING AROUND

Published online by Cambridge University Press:  22 October 2007

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Extract

When Mike Sell asked me to contribute to Critical Stages on the topic of “recent emigration in the field,” I had to make sure I understood. “Do you mean people like me,” I asked, “who have taken jobs outside the U.S.?” “Well yes,” he answered. “There's been quite a lot of informal discussion about this trend at various conferences and events.” Fair enough, but it has proven surprisingly difficult to quantify this phenomenon, and the data are partial and sometimes contradictory. There are a number of reasons why some American performance scholars may be choosing to work abroad now. Part personal, part professional, such reasons resist straight-ahead explanations. In what follows, I employ a somewhat paratactic structure to capture fragments of uneven cause and effect, finally placing the question of intellectual migration in the disciplinary experiences of Theodor Adorno during his period of exile in the United States.

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Type
Critical Stages: Edited by Mike Sell
Copyright
Copyright © The American Society for Theatre Research, Inc. 2007

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