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Miriama Young, Singing the Body Electric: The Human Voice and Sound Technology (Farnham: Ashgate, 2015), ISBN: 978-0-754-66986-9 (hb).

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<zeynep.bulut@kcl.ac.uk>
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1 Abbate Carolyn, Unsung Voices: Opera and the Musical Narrative in the Nineteenth Century (Princeton: Princeton University Press, 1996); Poizat Michel, The Angel's Cry: Beyond the Pleasure Principle in Opera, trans. Denner Arthur (Ithaca: Cornell University Press, 1992); and Chion Michel, The Voice in Cinema , trans. Gorbman Claudia (New York: Columbia University Press, 1999).

2 Ihde Don, Listening and Voice: Phenomenologies of Sound (Albany: State University of New York Press, 2007); Connor Steven, Dumbstruck: A Cultural History of Ventriloquism (Oxford and New York: Oxford University Press, 2000) and Beyond Words: Sobs, Hums, Stutters and Vocalizations (London: Reaktion Books, 2014); Dolar Mladen, A Voice and Nothing More, ed. Žižek Slavoj (Cambridge, MA: MIT Press, 2006); Cavarero Adriana, For More Than One Voice: Towards a Philosophy of Vocal Expression, trans. Kottman Paul A. (Stanford: Stanford University Press, 2005).

3 Sterne Jonathan, ‘Sonic Imaginations’, The Sound Studies Reader, ed. Sterne Jonathan (London and New York: Routledge, 2012), 119.

4 Young quotes Dolar in her introduction. See Dolar, A Voice and Nothing More, 13.

5 Sterne Jonathan, The Audible Past: Cultural Origins of Sound Reproduction (Durham: Duke University Press, 2003); and Weiss Allen, Breathless: Sound Recording, Disembodiment and The Transformation of Lyrical Nostalgia (Durham: Duke University Press, 1995).

6 Serres Michel, Genesis, trans. James Genevieve and Nielson James (Ann Arbor: University of Michigan Press, 1997).

7 Deleuze Gilles and Guattari Felix, Anti-Oedipus: Capitalism and Schizophrenia, trans. Hurley Robert, Seem Mark, and Lane Helen R. (Minneapolis: University of Minnesota Press, 1983).

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Twentieth-Century Music
  • ISSN: 1478-5722
  • EISSN: 1478-5730
  • URL: /core/journals/twentieth-century-music
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