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Sentimental Novels and Pushkin: European Literary Markets and Russian Readers

Published online by Cambridge University Press:  20 January 2017

Hilde Hoogenboom
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Abstract

This article examines literature in Russia, as opposed to Russian literature, through the window of Tat'iana's reading, especially two novels by Sophie Cottin, in Aleksandr Pushkin's Eugene Onegin. A quantitative, sociological approach to European markets for novels shows that Russians and Europeans were reading the same popular French, German, and English sentimental novels by August von Kotzebue; Stéphanie-Félicité, comtesse de Genlis; August Lafontaine; and Cottin. Pushkin, however, positioned himself in the Russian literary field with the canonical novels of Jean-Jacques Rousseau, Samuel Richardson, and Madame de Stael, against the "mediocre" novels of Cottin. Nevertheless, in his ongoing efforts to write Russian novels, Pushkin covertly engaged with popular sentimental novels to integrate their conservative emphasis on duty, virtue, and love with Russian noble life. I argue that a likely intertext for the eponymous heroine of The Captain's Daughter was Cottin's European bestseller Élisabeth, ou Les exilés de Sibérie (1806).

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Slavic Review , Volume 74 , Issue 3 , Fall 2015 , pp. 553 - 574
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Copyright © Association for Slavic, East European, and Eurasian Studies. 2015

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