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A Double-Edged Sword: Excommunication in Nineteenth-Century French Canada

Published online by Cambridge University Press:  13 November 2025

Emma Anderson*
Affiliation:
Department of Classics and Religious Studies, The University of Ottawa , Ottawa, ON, Canada
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Abstract

Excommunication – being summarily cut off from the sacraments of the Catholic Church – was the logical, if extreme, expression of Ultramontanism, and of the paternal metaphor enshrined at its heart. It was the ultimate weapon in the Church’s battle with critics who sought to undercut or challenge its chosen role as privileged mediator between the state apparatus and the people, whether this came in the form of open rebellion against said state, or in the demand for individual intellectual freedom, or both. Studying the infamous cases of nineteenth-century excommunicates, Joseph Guibord and Louis Riel (together with their predecessors, the ill–fated Patriotes) yields important insights into the nature of excommunication, both when it “worked” (from the perspective of those who imposed it) and, just as crucially, when it did not.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press on behalf of American Society of Church History
Figure 0

Figure 1. Ignace Bourget, the second bishop of Montreal and a lion of Ultramontanism.Photo courtesy of the City of Montreal Archives.

Figure 1

Figure 2. Façade of Marie, Reine du Monde Church in Montreal, a smaller scale replica of St. Peter’s Basilica in Rome. The statue in the foreground, gesturing with his right hand, represents Bishop Ignace Bourget.Image courtesy of Marie, Reine du Monde.

Figure 2

Figure 3. The Battle of Saint-Eustache by Charles Beauclerk. Note the flaming church and its outbuildings in the background.Image courtesy of McCord Museum, Montreal.

Figure 3

Figure 4. Joseph Guibord, the man at the heart of the 6-year-long “Guibord Unpleasantness.”Image courtesy of Library and Archives Canada.

Figure 4

Figure 5. Joseph Doutre, a Montreal lawyer and member of the Institute, who served as its lead council for much of the Guibord Affair.Photograph courtesy of the Bibliothèque et Archives Nationals du Québec.

Figure 5

Figure 6. Jean-Paul Lemieux’s La Fête-Dieu à Québec. Although this painting was executed in 1944, it still gives a wonderful sense of the deeply Catholic “us” imagined by Ultramontaine Catholics in the 1870s, during the height of the Guibord Affair.Image courtesy of the Musée National des Beaux-Arts du Québec.

Figure 6

Figure 7. Joseph Guibord’s coffin being retrieved from the mausoleum at the Protestant Mount Royal cemetery. Guibord’s Ultramontaine opponents made much of the corpse’s condition, insinuating that his altogether natural post-mortem physical corruption signaled his spiritual and moral shortcomings.Image courtesy of the Canadian Illustrated News.

Figure 7

Figure 8. The implication that Guibord’s moral state echoed his body’s corruption was only underlined by the late nineteenth century fascination with the phenomena of incorruption. Above: the unearthly beauty of St. Bernadette of Lourdes in her glass coffin at Nevers. St. Bernadette is still, arguably, the most famous incorrupt.Image courtesy of The Catholic Herald.

Figure 8

Figure 9. This image gives a vivid sense of the tension and the press of the crowd around the shut gates of Notre-Dame-des-Neiges during Guibord’s second, abortive funeral on September 2, 1875.Image courtesy of the Canadian Illustrated News.

Figure 9

Figure 10. Henrietta Brown’s humble wooden grave-marker, in the form of a cross was smashed and shredded by vandals or curiosity seekers. Though herself a faithful lifelong Catholic, Brown was seen as guilty by association with her infamous husband.Image courtesy of the Archives of the City of Montreal.

Figure 10

Figure 12. Joseph Guibord’s third and final funeral on November 16, 1875. Note the imposing black carriage and strong military presence. Though there was no religious ceremony at his internment, one of the young printers that Guibord had mentored made the sign of the cross over his casket.Image courtesy of the Canadian Illustrated News.

Figure 11

Figure 11. A heavy stone sarcophagus was commissioned by the Institut Canadien to deter would-be grave robbers, but it was never used, becoming, in the aftermath of the affair something of a tourist attraction.Image: Canadian Illustrated News, courtesy of the National Archives of Canada.

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Figure 13. Louis Riel in 1875, reading a letter and looking pensive.Image courtesy of Library and Archives Canada.

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Figure 14. Riel’s right-hand man, Gabriel Dumont, was purportedly in charge of military strategy. In practice, however, Riel’s prophetic role often superseded Dumont’s tactical decisions.Image courtesy of Parks Canada.

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Figure 15. Following his execution, Riel was often presented as a martyr in French-language publications.Images courtesy of Bibliothèque et Archives Nationales du Quebec.