Hostname: page-component-89b8bd64d-n8gtw Total loading time: 0 Render date: 2026-05-09T12:36:33.182Z Has data issue: false hasContentIssue false

Editorial

Published online by Cambridge University Press:  12 June 2019

Rights & Permissions [Opens in a new window]

Abstract

Information

Type
Editorial
Copyright
Copyright © Antiquity Publications Ltd, 2019 
Figure 0

Frontispiece 1. ‘Reflect, 2017’ is part of SIGHT, an unprecedented exhibition by the artist Antony Gormley, on the Greek island of Delos in the Cyclades. Sponsored by NEON, a Greek non-profit organisation working to promote contemporary art, the installation embodies NEON's mission to engage with multiple spaces and contexts by placing Gormley's iron bodyforms within and around the archaeological site. The sculptures restore a human presence to the island, which has been largely abandoned since the first century BC. The exhibition runs from 2 May to 31 October 2019 (https://neon.org.gr/en/exhibition/sight-antony-gormley-delos-island). Photograph © Oak Taylor Smith. Courtesy of NEON; Ephorate of Antiquities of Cyclades and the artist.

Figure 1

Frontispiece 2. ‘Marked Foundations’; oil pastel, watercolour and graphite; Rose Ferraby 2019. This artwork explores the process of interpreting geophysical signals at Aldborough Roman Town, North Yorkshire (UK). The accumulation of marks and tones reflect the long process of mapping data that brings to light invisible sub-surface features. The image forms the cover art for a forthcoming Society of Antiquaries monograph, ‘Isurium Brigantum: an archaeological survey of Roman Aldborough’ by Rose Ferraby and Martin Millett. Aldborough is also the focus of the new ‘Soundmarks’ project (https://soundmarks.co.uk), funded by Arts Council England. A collaboration between Rob St John and Rose, it explores the sub-surface landscape of the site with sound and visual art, and will culminate in an exhibition at Aldborough later this summer.

Figure 2

Figure 1. Sutton Hoo Mound 2, excavated in 1860, 1938 and 1986–1988, and reconstructed in 1992.

Figure 3

Figure 2. A reconstruction drawing of the Prittlewell princely burial chamber; (c) MOLA.