Hostname: page-component-89b8bd64d-j4x9h Total loading time: 0 Render date: 2026-05-12T19:40:35.788Z Has data issue: false hasContentIssue false

The many faces of natural theology: Diverse projects, distinct roles, and the pursuit of clarity

Published online by Cambridge University Press:  21 October 2024

Max Baker-Hytch*
Affiliation:
Oxford University, Oxford, UK
Mitchell D. Mallary
Affiliation:
Council for Christian Colleges and Universities, Oxford, UK
*
Corresponding author: Max Baker-Hytch; Email: max.baker-hytch@theology.ox.ac.uk
Rights & Permissions [Opens in a new window]

Abstract

The term ‘natural theology’ provokes a variety of reactions, spanning from whole-hearted endorsement to passionate rejection. Charged as it is with polemical and pejorative undertones, this debate begs for an intervention. If the scholarly community is to engage constructively with the concept and practice of natural theology – either by way of acceptance, rejection, or something in between – clarity in its definition and identification is imperative. The aim of this paper is to try to shed some light on three of the most common definitions of ‘natural theology’ in contemporary scholarship, to provide clarity about the ways in which they differ, and to propose some conceptual refinements in the hope that, if adopted, more fruitful discourse may take place in relation to this much-debated and interdisciplinary phrase.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press
Figure 0

Figure 1. Relationship between the three projects.