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Legislating Morality in the Gilded Age and Progressive Era: Moral Panic and the “White Slave” Case That Changed America

Published online by Cambridge University Press:  17 May 2024

Nancy C. Unger*
Affiliation:
Department of History, Santa Clara University, Santa Clara, CA, USA
*
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Abstract

This article is based on the presidential address presented to the Society for Historians of the Gilded Age and Progressive Era at the meeting of the Organization of American Historians in Los Angeles in 2023. Its focus is Maury Diggs and Drew Caminetti, two white men from Sacramento, California, charged with violating the Mann Act (known as the White Slave Trafficking Act) in 1913. The Gilded Age and Progressive Era obsession with white slavery, a phenomenon that has particular resonance in today’s climate, reveals the power of moral panics. Examining the steps, and missteps, that various legal, social, and political entities, including all three branches of government, took in response to Diggs and Caminetti’s actions highlights some of the major social changes gripping the nation. Moral panics can be investigated as crucial historical sites of contestation, revealing efforts to neutralize or turn back the societal changes perceived to be the greatest threat to the prevailing social power structure—in this case foreigners, the new leisure culture, the liberalization of sexual attitudes, and the threat of female independence. Understanding the origins and repercussions of past moral panics can help identify, understand, and possibly defuse future panics.

Information

Type
SHGAPE Presidential Address
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
© The Author(s), 2024. Published by Cambridge University Press on behalf of the Society for Historians of the Gilded Age and Progressive Era (SHGAPE)
Figure 0

Figure 1. Maury Diggs, widely considered to be the mastermind of the crime. San Francisco History Center, San Francisco Public Library.

Figure 1

Figure 2. Drew Caminetti, Maury Diggs’s partner in crime. F. Drew Caminetti, Fang Family San Francisco Examiner photographic print files, BANC PIC 2006.029, carton P091, folder Caminetti, F. Drew & wife divorce case, © The Regents of the University of California, The Bancroft Library, University of California, Berkeley.

Figure 2

Figure 3. Marsha Warrington, who was both vilified and pitied for her intimate involvement with Maury Diggs. Library of Congress LC-DIG-ggbain-14257.

Figure 3

Figure 4. Lola Norris, presented by the press in a somewhat more sympathetic light for her relationship with Drew Caminetti. San Francisco History Center, San Francisco Public Library.

Figure 4

Figure 5. A variety of methods were employed to warn women that independence and the pursuit of newly available career opportunities leading them away from a life devoted exclusively to marriage and children would inevitably result in loneliness and unhappiness. The panic over white slavery reinforced women’s “natural” vulnerability and passivity. “Looking Backward,” by Laura E. Foster, Life, August 22, 1912, 1638. Library of Congress LC-DIG-ppmsca-02940.

Figure 5

Figure 6. “The First Step,” Ernest A. Bell, Fighting the Traffic in Young Girls (1910), frontispiece.

Figure 6

Figure 7. The immense success of Traffic in Souls in 1913 launched a series of films depicting sexual trafficking as a very real danger to innocent white women.

Figure 7

Figure 8. U.S. Attorney General James McReynolds depicted as trying (fruitlessly) to hold back Justice. San Francisco Call, June 24, 1913.

Figure 8

Figure 9. Many religious Americans maintained that many of the nation’s ills were the result of a growing rejection of fundamentalist Christianity. E. J. Pace, “The Descent of the Modernists,” in William Jennings Bryan, Seven Questions in Dispute (New York: Fleming H. Revell Company, 1924).

Figure 9

Figure 10. Marsha Diggs, despite her plea to be treated with dignity and respect as a person of agency, was referred to as a “girl wife” in the photo that accompanied the impassioned interview in the Los Angeles Herald on January 23, 1917. She was twenty-two when she married, just slightly over the median age at first marriage for women.