This paper addresses three key observations relating to crosslinguistic patterns of metathesis. First, the order of sounds resulting from metathesis can differ from language to language such that a similar combination of sounds can be realized in one order in one language, but in the reverse order in another language. Second, for some sound combinations, only one order is commonly attested as the result of metathesis, while for other combinations, either order can be observed. Third, the acoustic/auditory cues to the identification of the sequence resulting from metathesis are often better than those of the expected, yet nonoccurring, order. These patterns receive a straightforward explanation when we consider the phonetic nature of the sounds involved as well as the speaker/hearer's knowledge of native sound patterns and their frequency of occurrence. Neither factor alone is sufficient to provide a predictive account of metathesis. This study shows, however, that by taking into account both factors, we are able to understand why certain sound combinations tend to undergo metathesis, why others are common results of metathesis, why patterns of metathesis differ across languages, and, importantly, why metathesis occurs in the first place.