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Women’s Livelihood and Status Struggles in Tabora after the End of Slavery, 1920s–60

Published online by Cambridge University Press:  28 October 2025

Felicitas Becker*
Affiliation:
Ghent University, Ghent, Belgium
Salvatory Nyanto
Affiliation:
University of Dar es Salaam, Dar es Salaam, Tanzania
*
Corresponding author: Felicitas Becker; Email: feli.becker@ugent.be
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Abstract

This paper examines the life trajectories, social contexts and living conditions of women of uncertain status in post-slavery, colonial-era Tabora, with a focus on those involved in the production and consumption of beer. It thereby searches insights into the aftermath of slavery in this region, particularly for women. It reflects on the persistent social unease surrounding slavery and its aftermath, and on the way it shapes and limits sources, arguing that a focus on post-slavery is nevertheless productive. Set in context, brewers’ life stories provide a vivid illustration of a competitive urban environment, the chances for self-emancipation that it offered, and the concomitant challenges and dangers. They thereby also enable fresh insight into the social history of alcohol and of urban women in colonial Africa. We find evidence of more successful brewing careers than existing studies would predict, but also of very stark vulnerability and persistent quests for safety in family networks. This spread of outcomes highlights the contingent nature of emancipation and the endlessly varied ways in which social constraints and personal motivations combined in individual lives.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press.
Figure 0

Figure 1. Aisha Mkangwa and her Cofounders, c. 1964.

Source: Courtesy of Mkangwa Ally Salum. Note: From left, Said Wambara (Aisha’s brother-in-law), Bachu (the Indian investor), Nassoro Hamisi Mjandari (Aisha’s husband), and Aisha Mkangwa herself. Aisha’s clothing appears carefully chosen, combining Muslim respectability (the headscarf) with a distinctly modern object (the handbag). The fabric of her elaborate skirt is expensive, but the colorful cloth at her waist nods to the kanga cloth worn by women of limited means.