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Masters of the Land: Native Ship and Canal Building During the Spanish-Aztec War

Published online by Cambridge University Press:  20 December 2023

Kristian J. Fabian*
Affiliation:
University of California San Diego, California kfabian@ucsd.edu
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Abstract

In 1520, during the midst of the conquest of Mexico, Spanish conquistadors and their Native allies embarked on a massive naval project—the construction of 13 brigantines and a canal—needed to help conquer the aquatic city of Tenochtitlan. In the dominant historical literature on the war, the Spanish tend to receive most, if not all, of the credit for the success of the nautical program. The contributions of their Native allies by contrast are little-known and oft-overlooked in the historiography. Drawing on Spanish and Indigenous sources, this article highlights the vital roles that Native peoples played in the naval episode, whether it be felling timbers, carving wood, transporting logs, or excavating the canal. In addition to labor services, it also considers the importance of Indigenous ecological and hydrological expertise, and demonstrates how such knowledge played a pivotal role in the overall success of the enterprise. I argue, ultimately, that these contributions made the Native peoples, and not the Spanish, the true masters of the amphibious operation. Along the way, this essay seeks to contribute to several important strands of scholarship, chiefly the New Conquest History, environmental histories of New Spain, and the burgeoning literature on Indigenous knowledge production in Spanish America.

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Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of Academy of American Franciscan History
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Figure 1 The 1524 Nuremberg Map of TenochtitlanSource: Newberry Library, Chicago, Edward E. Ayer Digital Collection. The woodcut map, the first image of Tenochtitlan seen in Europe, was published alongside copies of Hernando Cortés's letters to Holy Roman Emperor Charles V (King Charles I of Spain). In colorful detail, it displays some of the city's finest architectural and engineering achievements, including its royal palaces, temples, houses, causeways, canals, and man-made dikes.

Figure 1

Figure 2 Route of Cortés's Company from Veracruz to TenochtitlanSource: Ross Hassig, Mexico and the Spanish Conquest, 2nd ed. (Norman: University of Oklahoma Press, 2006), 66. Reprinted by permission of the publisher.

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Figure 3 Map of the Basin of Mexico, c. 1519Source: Map by Olga Vanegas, courtesy of Barbara E. Mundy. From Mundy, The Death of Aztec Tenochtitlan, The Life of Mexico City (Austin: University of Texas Press, 2015).

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Figure 4 Transport of the Brigantines from Tlaxcala to Tetzcoco: “Gonzalo de Sandoval Leads the Brigantines to the Lagoon”Source: This late eighteenth-century painting by an anonymous artist was based on the illustrations that accompany the work of Antonio de Solís y Rivadeneyra, Historia de la Conquista de México [1684] , 2 vols. (Madrid: Imprenta de D. Antonio de Sancha, 1783-1784). The image depicts the movement of the massive convoy through forest and mountains, with Native people carrying the planks, beams, and other equipment necessary for the construction of the ships. Conquista de México series, 24 paintings, 1783–1800 (oil on copper, 66.20 cm x 49.30 cm), Museo de América, Madrid. Photograph by Joaquín Otero Úbeda, Ministerio de Cultura y Deporte, España, CER.es, https://ceres.mcu.es/pages/Main?idt=213&inventary=00227&table=FMUS&museum=MAM, accessed October 17, 2023.

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Figure 5 Assembly of the Brigantines in TetzcocoSource: At the Tetzcoco shipyard, Spanish and Native people work side by side to build the 13 brigantines, felling timbers, carving wood, and otherwise completing the construction of the crafts under Indigenous-Spanish supervision. Diego Durán, Historia de las Indias de Nueva España e islas de la tierra firme (1579), chapt. 77, 216. Image from the National Library of Spain.

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Figure 6 Ixtlilxochitl, Lord of Tetzcoco, c. 1552Source: From the Lienzo de Tlaxcala (c. 1552), an Indigenous painted cotton sheet depicting this region's participation in the Spanish-Aztec War. Center for Latin American and Caribbean Studies, Brown University, and Prolarti Enterprises, LLC., Mesolore Project, www.mesolore.org, accessed October 18, 2023.

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Figure 7 The Mapa Uppsala (Map of Santa Cruz), c. 1537–55Source: Hand-painted on skin by an unknown Indigenous artist(s), this map offers one of the richest portraits of Mexico City and its surroundings in the decades following the Spanish-Aztec War. Of particular note is the attention paid to the intricate system of dikes and canals that extended across the lake area, and the intriguing images of day-to-day affairs, such as fishing, rowing, and the overland transport of merchandise. Image courtesy of Uppsala University Library, Sweden.

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Figure 8 The Final Siege of Tenochtitlan, May to August 1521Source: Two brigantines sail on Lake Texcoco, and contend with the Mexica's fleet of canoes for supremacy of the lake. Mounted in the bow of each craft are high-powered guns, which could reportedly sink a canoe with a single shot. Bernardino de Sahagún, General History of the Things of New Spain, also called the Florentine Codex (1577), Book 12, chapt. 30, fol. 56. Manuscript held in the Medicea Laurenziana Library, Florence, Med. Palat. 220, fol. 463r. Courtesy of the MiC. Any further reproduction by any means is prohibited.

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Figure 9 “Puente de los Bergantines,” Texcoco, c. 1904Source: Photograph, Fototeca Nacional, C. B. Waite/W. Scott Collection, National Institute of Anthropology and History, Mexico City. SecretarÍa de Cultura/INAH/MEX. Reproduction authorized by the Instituto Nacional de Antropología e Historia.

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Figure 10 “Puente de los Bergantines,” Texcoco, 2022Source: Photo by Andrea Chacón (16 November 2022). For local residents steeped in the history of the region, the obelisk may serve less as a reminder of the Spanish victory than as a testament and celebration of the contributions and engineering feats of their Indigenous ancestors.