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Technologies of Emergency: Cyprus at the Intersection of Decolonisation and the Cold War

Published online by Cambridge University Press:  16 June 2022

Maria Chatzicharalampous*
Affiliation:
Institute for History, Leiden University, PO Box 9515, 2300 RA Leiden, The Netherlands
Carolien Stolte*
Affiliation:
Institute for History, Leiden University, PO Box 9515, 2300 RA Leiden, The Netherlands
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Abstract

This article analyses ‘technologies of emergency’ in colonial counterinsurgency campaigns, framed around the case of Cyprus. In the 1950s, the repeated use of the state of emergency created a continuum, connecting British colonies on three different continents in a single administrative network. Lessons learned in one location were applied in the next, causing the state of emergency to evolve into a blueprint for post-war counterinsurgency in colonial settings. We contend that the toolkit of emergency technologies was not limited to legal measures, arguing instead for a more capacious category. By examining the place of Cyprus in this network and the effect of this broader ‘toolkit’ on the ground, this article views the Cyprus Emergency as one of multiple decolonisation wars in the Cold War era. In doing so, it highlights the coloniality of the island, an aspect of Cypriot history which is often overlooked in favour of more regional frameworks.

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Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press
Figure 0

Figure 1. British propaganda leaflet: ‘What does Grivas have to offer?’81

Figure 1

Figure 2. British propaganda leaflet: ‘EOKA. The only obstacle.’82

Figure 2

Figure 3. British propaganda leaflet: Depiction of the leader George Grivas.86

Figure 3

Figure 4. Painting by Thasos Sofokleous.101