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Planetary repertoires? ‘Research is a zoo’: An invitation to an epistemic ‘party’

Published online by Cambridge University Press:  29 December 2025

Kellie Gonçalves*
Affiliation:
Department of English, University of Bern, Bern, Switzerland
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Abstract

In this article, I hone in on complex, assemblaic relations of human, non-human, more-than-human, animal, spatial, digital, environmental, and political economic questions questioning the role that language and other modes of semiosis have in the powerful production of planetary matters and anthropocenic landscapes. New theoretical and methodological directions are paved in the field of linguistic and semiotic landscape studies that underscore entangled space, methodological attunement, and the political economy as planetary actor. In this issue, we encounter ‘epistemic rupture’ in real time among numerous sensescapes on land, sea, and in the sky. This means it is time for scholars to acquire planetary repertoires and different ways of semiotic de-coding and meaning-making as it pertains to the Anthropocene, where human language is devalued. Post-humanism and assemblage theorization are put forward as promising frameworks while methods from off and online spaces may be the new norm in LL studies. (Anthropocene landscapes, planetary repertoires, perceptual coding, political economy, multispecies communication, epistemic rupture, linguistic and semiotic landscapes, assemblage theory, post-humanism)

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Type
Discussion
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press.
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Figure 1. Veado sculpture in Praia do Norte, Nazaré, Portugal.

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Figure 2. A picture of the Mittellegi hut originally built in 1924 equipped for climbers and mountaineers, which sits at 3,355 meters (11,007 feet) above sea level on the Mittellegigrat ridge, a salient feature of the Eiger mountain in the Junfrau Region in Switzerland.

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Figure 3. Sustainability billboard by the Jungfraubahn, a local private railway company in the Bernese Oberland, Switzerland, which transports over one million guests a year to the ‘Top of Europe’.

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Figure 4. A bilingual Sanskrit-English sign, NISHTA Sustainable Livin’ clothing store in Interlaken, Switzerland.

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Figure 5. The August 2025 special issue of the magazine Schöner Wohnen (Europe’s largest living magazine) entitled Natürlich Nachhaltig, wir lieben Holz ‘Naturally sustainable, we love wood’.

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Figure 6. ‘Be productive, be sustainable’ at a plant-based workplace in Austria.

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Figure 7. A recycled bag that used to be a plastic bottle.

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Figure 8. ‘Sustainable investment’ bank advertisement at Zurich airport.

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Figure 9. Gras Papier Nachhaltig ‘Sustainable grass paper’.

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Figure 10. ‘STOP EATING ANIMALS’ at the corner entrance of the Faculty of Humanities at the University of Bern, Switzerland, 2024.6

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Figure 11. A photo taken by the author in Vienna airport in July 2025.

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Figure 12. A postcard of Iris Art.

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Figure 13. Think outside, no box required sticker.9