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Accepted manuscript

NEW INC Y11 Creative Science: Tidelands 2100: Visions of Civic Protopia

Published online by Cambridge University Press:  23 June 2026

Annie Chen*
Affiliation:
BEAM
Ellen Fritz
Affiliation:
BEAM The University of Rhode Island DWELL Lab
Ian Haut
Affiliation:
BEAM
Healey Koch
Affiliation:
BEAM
Ryan Lettieri
Affiliation:
BEAM
Ram Charan
Affiliation:
BEAM
Madison Jones
Affiliation:
The University of Rhode Island DWELL Lab
Jason Jarvis
Affiliation:
BEAM
Zoe Lee
Affiliation:
BEAM
*
Corresponding author: Annie Chen, annie@beamstudio.earth
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Abstract

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The concept of protopia, coined by Kevin Kelly, was introduced as an alternative to utopian and dystopian thinking, framing progress as incremental improvement rather than an idealized end state (Kelly 2016). In The Inevitable, Kelly describes protopia as a condition of continual becoming—futures that are “better today than yesterday”— emerging largely through cumulative technological development. More recent reinterpretations, including those advanced by Monika Bielskyte and the Protopian Futures collective, have expanded protopia beyond technological emergence toward pluralistic, ethical, and culturally grounded imaginaries (Bielskyte 2021). This work productively recenters values, inclusion, and alternative worldviews, while often operating upstream of technical specification, leaving open questions about how such imaginaries interface with concrete scientific research trajectories, deployment constraints, and governance mechanisms.

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Type
Abstract
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
© The Author(s), 2026. Published by Cambridge University Press