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EDITORIAL

Published online by Cambridge University Press:  24 April 2018

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Thirty years ago on a London street, an excited young teenager stood in a queue the likes of which he had never previously seen. The wait, however, was worth it, for the reward was the opportunity to see a small detachment of warriors from the Terracotta Army on their first visit to the city. For this particular young archaeologist, it was a glimpse of a foreign civilisation that made the local Roman ruins look desperately provincial by comparison. But it was not just I who was impressed; public interest in the event was extraordinary. With hindsight, it is easy to overlook the novelty that the warriors represented at that time. Fewer than 15 years had passed between the discovery of an army guarding the tomb of the Emperor Qin Shi Huang, large-scale excavations at the mausoleum complex and its inscription as a World Heritage Site, and the arrival of the exhibition in London at the start of an endless global tour as the new face (or faces) of Chinese cultural heritage.

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Editorial
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Copyright © Antiquity Publications Ltd, 2018 
Figure 0

Frontispiece 1. Monks, nuns and laity at the Saptabidhanotta Puja and prayer ceremony to reanimate the Kasthamandap (Nepal) following post-earthquake archaeological investigations within the Kathmandu Valley UNESCO World Heritage property. Hundreds of monuments, including the iconic Kasthamandap, the timber structure that gave Kathmandu its name, were damaged or destroyed during the Gorkha earthquake on 25 April 2015. A team, drawn from Durham's UNESCO Chair, the Department of Archaeology (Government of Nepal) and the University of Stirling, have discovered that the brick foundations of many monuments, including the Kasthamandap, were undamaged by the earthquake and that, in many cases, the collapse of the superstructures was due to poor conservation practices. The team's findings will be displayed in Kathmandu's new Earthquake Museum in the royal treasury Dukuti Building within Hanuman Dhoka and inaugurated on the third anniversary of the earthquake in April 2018. Photograph: UNESCO Chair on Archaeological Ethics and Practice in Cultural Heritage, Durham University.

Figure 1

Frontispiece 2. A 3D-LiDAR image of Tikal, Guatemala, from the south-east. The modern paved road to the site runs through the image and connects with the old, abandoned airstrip. Winding to the north, the road then leads towards the modern village (and ancient ruins) of Uaxactun, off-image. Circular depressions are water reservoirs for drainage from the city, and elevated roads with masonry berms represent ritual processional routes within the city. Massive areas of levelling created surfaces for palaces, pyramids and a substantial market facility. Smaller quadrangles on local rises correspond to areas of more modest residences (Stephen Houston and Thomas Garrison; image credit: PACUNAM/Canuto and Auld-Thomas; initial capture and processing by the National Center for Airborne Laser Mapping).

Figure 2

Figure 1. ‘China's First Emperor and the Terracotta Warriors’, which runs at Liverpool World Museum from 9 February to 28 October 2018. (Photograph © Gareth Jones.)