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5 Recent developments in archaeometallurgical research: the Bronze Age Greek Mainland, Crete, and the Cyclades

Published online by Cambridge University Press:  09 March 2023

Stephanie Aulsebrook*
Affiliation:
University of Warsaw s.aulsebrook@gmx.com

Abstract

Metallurgy was a fundamental craft industry in the Aegean during the Bronze Age and had some form of impact on almost every aspect of life. This means that archaeometallurgy plays an important role in building our understanding of the region, and has in fact been integrated into Aegean archaeology since the inception of the discipline, well before it was recognized as a separate sub-discipline. Nevertheless, 15 years ago it was still possible for a leading scholar to describe Bronze Age Aegean archaeometallurgy as being in its ‘infancy’. Acknowledged weaknesses included a lack of understanding of the Aegean-specific trajectory of metalworking development, reliance on diffusionist theories, a limited interpretative use of scientific analyses, and neglect of research questions tackling social aspects of metal use. This review assesses the progress that has been made since, whether these shortcomings have been addressed, and beneficial future directions for archaeometallurgical studies of the Bronze Age Greek mainland, Crete, and the Cyclades. It focuses on several key themes: the rapidly changing story of Early Aegean metallurgy, the employment of experimental archaeology, the development of scientific techniques and expansion of their use, experimentation with ‘big data’ approaches, and the varied role of indirect evidence.

Information

Type
Archaeology in Greece 2021–2022
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
© The Author(s), 2023. Published by Cambridge University Press on behalf of the Society for the Promotion of Hellenic Studies and the British School at Athens
Figure 0

Map 5.1. Map showing the sites mentioned in the text: 1) Angistro; 2) Vathi; 3) Palaia Kavala; 4) Pangaeon; 5) East Chalkidiki; 6) Thasos; 7) Kastro Palaia; 8) Dimini; 9) Sesklo; 10) Stephani; 11) Kallianou; 12) Athens; 13) Laurion; 14) Mycenae; 15) Tiryns; 16) Nichoria; 17) ‘Griffin Warrior Tomb’, Pylos; 18) Strofilas; 19) Syros; 20) Kythnos; 21) Parapola; 22) Seriphos; 23) Siphnos; 24) Antiparos; 25) Dhaskalio; 26) Keros; 27) Chania; 28) Ayia Triada; 29) Poros-Katsambas; 30) Hagios Charalambos; 31) Sissi; 32) Chyssi; 33) Gournia; 34) Chrysokamino; 35) Mochlos; 36) Dhaskalio Cave, Kalymnos; 37) Uluburun. © BSA.

Figure 1

Table 5.1. Broad chronological table of the Neolithic and Bronze Age in the Aegean. © S. Aulsebrook.

Figure 2

5.1. Theopetra Cave, Thessaly: gold ‘ring idol’, on display at the Theopetra Cave Museum. It has been dated to ca. 4500 and 3330 BC. © V. Martin.

Figure 3

5.2. Upper left: Clarke raising the top section/neck of the copper hydria using a wooden stake and granite pestle. Lower left: using a fine-grained sedimentary stone to grind down sharp edges left after cutting a hole in the shoulder section with a chisel. Right: copper hydria modelled after a bronze Late Minoan IIIA1 hydria in the Archaeological Museum of Chania; 44cm high. © Upper and lower left: C. Clarke (photo by Lan Nguyen-hoan); right: C. Clarke (photo by J. Kuhnen).

Figure 4

5.3. Mycenae: example of a gilded bone ornament from Grave Circle A, on display at the National Archaeological Museum at Athens. The bone core is clearly visible where the gilding has been damaged. © S. Aulsebrook.

Figure 5

5.4. Athens: two examples of typical bronze chisels from the Acropolis hoard, on display at the Acropolis Museum. In use on stone, these tools develop burrs and scratches, as well as deformation of the working edge. Further changes to the profile of the working edge are introduced when the chisel is periodically resharpened. © S. Aulsebrook.

Figure 6

5.5. Dendra: tinned ceramics from chamber tomb 10, on display at the Archaeological Museum of Nauplio. The coating is damaged on most examples, but modern techniques could make possible the extraction of a useable sample for investigating tin provenance. © S. Aulsebrook.

Figure 7

5.6. Thebes: two lead balance weights found in the palace and on display at the Archaeological Museum of Thebes. Such artefacts are routinely weighed, in order to test to which weighing system they belong. Unfortunately, the weights of other metal artefacts are rarely published. © S. Aulsebrook.

Figure 8

5.7. Mycenae: the contents of the ‘Mylonas Hoard’, displayed at the Archaeological Museum of Mycenae. There are fewer than 20 LBA hoards found in Greece; their relative rarity in comparison to the majority of the rest of contemporary Europe is quite striking. © S. Aulsebrook.

Figure 9

5.8. Tiryns: fragment of a pictorial painted krater showing a seated figure with a drinking cup (kylix), displayed at the Archaeological Museum of Nauplio. The artistic conventions of this period and limitations of the medium make it impossible to determine whether a metal or a ceramic cup was intended to be shown here. © S. Aulsebrook.