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Exploiting Chinese Labour Emigration in Treaty Ports: The Role of Spanish Consulates in the “Coolie Trade”

Published online by Cambridge University Press:  02 June 2020

Mònica Ginés-Blasi*
Affiliation:
Universitat Oberta de Catalunya, Barcelona, Spain
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Abstract

Authors writing about the history of the “coolie trade” in Cuba have generally focused on the multinational effort to halt the trafficking of Chinese workers. Little has been written about either the role of consuls as middlemen or of Spanish participation in the traffic in treaty ports. Yet, several sources indicate that many officials at Spanish consulates in coastal China were intensely involved in the shipment of Chinese emigrants to Cuba and other coolie trade destinations, and were also at the centre of international scandals. These consular officers frequently used their authority to obtain a monopoly over the trade. In this article, I argue that the coolie trade was the main objective of Spain's consular deployment in China, and that the involvement of these consular officials was crucial in developing an abusive migratory system and sustaining the mistreatment of Chinese immigrant workers throughout the second half of the nineteenth century.

Information

Type
Research Article
Copyright
Copyright © 2020 Internationaal Instituut voor Sociale Geschiedenis
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Figure 1. Portrait of Sinibald de Mas, by Tomàs Moragas i Torras, 1882.© Arxiu Fotogràfic Centre Excursionista de Catalunya.

Figure 1

Figure 2. Many buildings at Xiamen's harbour (also known as Amoy) faced over the waterfront.“The Anchor of Amoy”, W. Tyrone Power, Recollections of a Three Years' Residence in China: Including Peregrinations in Spain, Morocco, Egypt, India, Australia, and New Zealand (Bentley, 1853).

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Figure 3. Edgar Holden's depiction of a mutiny on board the Norway in 1859 is illustrative of the violence which often broke out in coolie ships.“A Providential Mischance”, Edgar Holden, “A Chapter on the Coolie Trade”, Harper's New Monthly Magazine, vol. 29 (June 1864), p. 6.

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Figure 4. Portrait of Miguel Jorro y Such.Arxiu Municipal d'Altea (AMA), Fons Ramon Llorens Barber.