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Norms of Professional Excellence and Good Conduct in Accountancy Manuals of the Mughal Empire

Published online by Cambridge University Press:  26 August 2011

Najaf Haider*
Affiliation:
Centre for Historical Studies, Jawaharlal Nehru University E-mail: snajafhaider@yahoo.co.in
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Summary

In Mughal India, accounts were kept by individuals and institutions for purposes of reference and planning. Accountancy required a set of objectives and techniques for collecting, organizing, and presenting information so that it could then be put to use. It also fostered learning. Subsisting on formal or informal training, professional accountants equipped themselves with linguistic and mathematical skills, the art of notation, mnemonic devices, and the ability to translate loosely defined units into precise terms and numbers. Accountants were an important component of the state apparatus, village administration, and elite household management. In the seventeenth century manuals were produced in Persian by private individuals for the guidance of persons seeking to acquire proficiency in accountancy (siyaq) and clerical work. No study has been made so far of the manuals themselves nor of the people who compiled or used them. This introductory essay examines the manuals (generally titled Dasturu-l Amal) and the information they contain about the system of accountancy as well as about the professional ethics and norms of ideal behaviour of the secretarial class.

Information

Type
Research Article
Copyright
Copyright © Internationaal Instituut voor Sociale Geschiedenis 2011
Figure 0

Figure 1 Image of a Mughal scriptorium (kitabkhana) showing the arts of writing, painting and paper-making. In the main frame, a teacher dictates a text to a pupil (possibly a prince), while on the platform below a scribe works on a scroll even as he exchanges glances with a painter. The painting illustrates the text of Akhlaq i Nasiri, a thirteenth-century Persian work on ethics and politics that was kept in Akbar's library and read out to him. The inscription at the bottom of the painting reads “Amal S[ur] Jiv” [work of Sur Jiv]. Aga Khan Trust for Culture, Geneva. Used with permission.

Figure 1

Figure 2 Scene from a school (madrasa); painting by Dharamdas. MS, Khamsa of Amir Khusrau, Walters Art Gallery, Baltimore, no. 10,624, f. 98. Used with permission.