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Editorial

Published online by Cambridge University Press:  24 June 2025

Robin Skeates*
Affiliation:
Durham, UK, 1 June 2025
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Abstract

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Type
Editorial
Copyright
© The Author(s), 2025. Published by Cambridge University Press on behalf of Antiquity Publications Ltd
Figure 0

Frontispiece 1. The Rosetta Stone on view in the British Museum. This fragment was originally part of a larger Egyptian temple stela. It records a priestly decree issued in 196 BC to record the granting of a royal cult to King Ptolomy V Epiphanes. The same decree is inscribed in sacred Egyptian hieroglyphs at the (broken) top, Demotic in the middle (the everyday script of literate Egyptians) and Greek characters at the bottom (the language used by the Macedonian Greek government). Scholars studied these and other inscriptions internationally, with Jean-François Champollion ultimately deciphering the ancient hieroglyphic script in 1822, in part thanks to the combination of the three different scripts and languages on the Stone plus his knowledge of the Coptic language. The Stone was discovered by a military engineer in 1799 at the port city of Rashid (Rosetta) during Napoleon’s Egyptian campaign. When the French were defeated, the Stone was surrendered to the British Army as part of the Treaty of Alexandria in 1801. The Stone then entered the British Museum in 1802. Today, it is the museum’s star attraction and is presented as a symbol of communication across languages, cultures and the ages. Photograph: R. Skeates.

Figure 1

Frontispiece 2. Indus Valley steatite seal (32 × 32mm), with horned bull and script, in the collection of the Cleveland Museum of Art, Ohio. The ‘script’ consists of a short series of symbols. It is found, often accompanying representations of animals, on a range of portable artefacts including stamp seals and pottery vessels, used especially from around 2600–1900 BC during the integration era of the Indus Valley Tradition (in what is now Pakistan and northern India). In January 2025, Tamil Nadu Chief Minister, Muthuvel Karunanidhi Stalin, announced a US$1 million government prize for experts or organisations that succeed in deciphering the script. This remains challenging because the inscriptions are generally short and no portion of a bilingual inscription has so far been discovered. Furthermore, there is no consensus on the identification of the language, or languages, represented, or even if one is present at all. Debate is broadly divided between the script representing a Dravidian or an Indo-European language. This can be contentious since such identifications have been utilised to develop hypotheses relating to origins and migrations of past populations based on the modern locations of these language groups. Pointing to similarities between graffiti marks found on potsherds in Tamil Nadu (in southern India) and on seals and sealings from the Indus Valley, Stalin hopes to highlight the antiquity of Tamil culture and to strengthen the claim that the language spoken within the Indus Valley Tradition was Dravidian—related to the Tamil language. Photograph: Cleveland Museum of Art. https://www.clevelandart.org/art/1973.160 CC0 1.0.

Figure 2

Figure 1. Appropriating languages. Modern replica of the early nineteenth-century British Museum display of the Rosetta Stone. It is exhibited today in the Enlightenment gallery, originally built to house King George III’s library. The Stone was mounted in an iron cradle at an angle, like a printed book, and with white chalk infill to enhance its legibility, similar to black-and-white printed text. The English text painted onto the left side (a) reads “CAPTURED IN EGYPT BY THE BRITISH ARMY 1801” and on the right side (b) “PRESENTED BY KING GEORGE III”. Photographs: R. Skeates.

Figure 3

Figure 2. Collecting languages: a) front: black-and-white monochrome photograph of six steatite seals excavated at Harappa during 1927–1928. Recurrent features comprise Indus ‘script’ across the top, a ‘unicorn’ and an offering stand; b) reverse: hand-written and stamped accession details in English. Today, the photograph forms part of the Marshall Archive held by Durham University’s Oriental Museum (DUROM.1957.1.1232). Sir John Marshall formed his collection of photographs and drawings of South Asian archaeological remains while Director-General of the Archaeological Survey of India between 1902 and 1931. Digital photographs: Oriental Museum, reproduced with permission, with thanks to Rachel Barclay for assistance.

Figure 4

Figure 3. Linguistic imperialism? Statues and inscription over the neoclassical entrance to Bush House, London dedicated to “The Friendship of English Speaking Peoples”. Constructed in 1925–1935 as an Anglo-American trade centre, the building later served as the headquarters of the British Broadcasting Corporation’s (BBC) World Service. Photograph: R. Skeates.