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Designer History: Plato's Atlantis Story and Fourth-Century Ideology*

Published online by Cambridge University Press:  23 February 2012

Kathryn A. Morgan
Affiliation:
University of California, Los Angeles

Extract

The myth of Athens and Atlantis in Plato's Timaeus and Critias can be, and has been, interpreted on a number of different levels. On the most fundamental, philosophical level the myth sets into narrative motion the paradigm of the ideal state elaborated in the Republic. Gill, in a series of publications, has done much to throw light on the nature of this invention: its relationship with modern categories of fiction and with antecedent historiography. Yet the extent to which the myth of Atlantis is embedded in larger fourth-century political and historiographical concerns has been insufficiently appreciated. In what follows, I shall attempt to reconstruct some of these concerns. I shall argue, first, that the narrative set-up of the Atlantis myth corresponds to the conditions specified in the Republic for the successful creation of a charter myth (the ‘Noble Lie’) for the ideal city, and that this is a valuable indication of the truth status of the myth and of the function it is expected to perform. This function is not merely a matter of abstract philosophical interest, since there are close parallels between the Atlantis myth and contemporary panegyric versions of Athenian history; in Section III, therefore, I shall explore these parallels through an examination of some Isocratean orations. Sections IV and V will investigate how such panegyric history illuminates areas of ideological concern for Athenians in the first half of the fourth century, most notably worries about legitimating the constitution (politeia) under which they lived, and about the attitude that should be taken towards Athenian maritime interests in the Aegean. The Atlantis myth creates a vision of Athens that is true to Plato's political ideals, but which is animated by contemporary historical topoi. The result is a narrative for an audience of philosophical cognoscenti that both rejects and transforms such topoi, and sparks a second-order consideration of the forces at work in the construction of history.

Information

Type
Research Article
Copyright
Copyright © The Society for the Promotion of Hellenic Studies 1998

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