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Prosody and grammar of other-repetitions in French: The interplay of position and composition

Published online by Cambridge University Press:  16 March 2020

Rasmus Persson*
Affiliation:
Linköping University, Sweden
*
Address for correspondence: Rasmus Persson Department of Culture & Communication Linköping University 581 83 Linköping, Swedenrasmus.persson@liu.se
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Abstract

This study contributes to the body of cross-linguistic research on repetition, repair, and action-formation more generally. Using conversation-analytic and interactional-linguistic methods to analyse both position and composition in the formation of actions accomplished by other-repetitions in French, the study underscores the interplay between linguistic design, sequential organisation, and territories of knowledge and accountability in interaction. The actions conveyed by other-repetitions, and the responses made relevant, are affected by both (i) the design of the repetition turn itself—involving various features of prosody (e.g. intonation contour type and pitch span), grammar, and lexis—and (ii) the sequential location of the repetition, including the particulars of the talk that gets repeated and the relevancies set up by that previous talk. The study concludes with a discussion of its significance for research on action-formation as well as for research on the pragmatics of intonation. (Repair-initiation, surprise, acceptability, registering, intonation, epistemics, agency)*

Information

Type
Articles
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © Cambridge University Press, 2020
Figure 0

Figure 1. Pitch trace for line 4, extract (2).

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Figure 2. Pitch trace for line 6, extract (3).

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Figure 3. Pitch trace for line 8, extract (1).

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Figure 4. Pitch trace for line 4, extract (4).

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Figure 5. Pitch trace for line 6, extract (6).

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Figure 6. Pitch trace for line 12, extract (7).

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Figure 7. Pitch trace for line 11, extract (8).

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Figure 8. Pitch trace for line 10, extract (9).

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Figure 9. Pitch trace for line 5, extract (11).

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Table 1. Overview of constructional and contextual features with relevance for action-formation. A: original turn speaker, B: repeat-speaker.