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Phonological contrasts and gradient effects in ongoing lenition in the Spanish of Gran Canaria

Published online by Cambridge University Press:  02 July 2021

Karolina Broś*
Affiliation:
University of Warsaw
Marzena Żygis*
Affiliation:
Leibniz Centre for General Linguistics and Humboldt University
Adam Sikorski*
Affiliation:
University of Warsaw
Jan Wołłejko*
Affiliation:
University of Warsaw
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Abstract

This study explores ongoing lenition of postvocalic /p t k b d g/ in the Spanish of Gran Canaria. Duration, intensity and harmonics-to-noise ratio of 16,454 sounds produced by 44 native speakers were measured, with the latter phonetic parameter used for the first time to investigate lenition. The results show a path of gradual sound shortening and opening from voiceless stops to open approximants, as well as systematic use of six different variants depending on the underlying representation and phonological context: two types of [p t k], two types of [b d g] and two types of [β˕ ð˕ ɣ˕]. We interpret this as continuity lenition that leads to the flattening of the intensity contour and harmonicity of the target segment with respect to the flanking sounds. We argue that a phonological analysis of this process that accounts for its non-neutralising character requires the use of a scalar [aperture] feature.

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Type
Articles
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press
Figure 0

Table I Possible pronunciations of underlying non-continuants in the Spanish of Gran Canaria.

Figure 1

Figure 1 Two instances of an underlying /t/ in the phrase sí tiene ‘yes, he/it has’, pronounced as [t] (left) and [d] (right) by the same speaker.

Figure 2

Figure 2 /k/ approximantised to [ɣ̞] in the sequence un poco /un poko/ [m.po.ɣ̞o] ‘a bit’ (left), and deleted underlying /b/ between [we] and [o] in the word nuevos /nwebos/ [nwe.o] ‘new (pl.masc)’, where it was impossible to discern the approximant in the signal, although a slight dip in intensity might at first sight indicate the presence of the consonant (right).

Figure 3

Figure 3 Surface sounds: (a) harmonics-to-noise ratio; (b) relative duration; (c) intensity difference between the preceding vowel and the target sound.

Figure 4

Figure 4 Surface realisations of underlying /p t k b d g/ in the main database.

Figure 5

Figure 5 Approximants derived from underlying /p t k/ and those derived from /b d g/: (a) harmonics-to-noise ratio; (b) relative duration; (c) intensity difference.

Figure 6

Figure 6 Stops derived from underlying /p t k/ and those derived from /b d g/: (a) harmonics-to-noise ratio; (b) relative duration; (c) intensity difference.

Figure 7

Table II Surface realisations in post-deletion and underlyingly postvocalic contexts.

Figure 8

Figure 7 Comparison of [p t k], [b d g] and [β̞ ð̞ ɣ̞] depending on deletion: (a) harmonics-to-noise ratio; (b) relative duration; (c) intensity difference.

Figure 9

Figure 8 The six surface sound groups systematically differentiated by the speakers: (a) intensity difference; (b) harmonics-to-noise ratio. The lowering diacritic is used for the less constricted type of each consonant series. The options correspond to the scale in (2).

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