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International rituals: An analytical framework and its theoretical repertoires

Published online by Cambridge University Press:  23 July 2021

Stephane J. Baele*
Affiliation:
Centre for Advanced International Studies (CAIS), University of Exeter, Exeter, United Kingdom
Thierry Balzacq
Affiliation:
Sciences Po and Professorial Fellow at CERI-Sciences Po, Paris, France
*
*Corresponding author. Email: s.baele@exeter.ac.uk
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Abstract

The performance of ritual and the ritualisation of performance are the two main theoretical repertoires of ritual study in international politics and beyond. However, they also escalate tensions between those who insist on ritual's ability to operate by virtue of participants’ presence and those who believe that global networks of media call for a representational turn, which must tie participants and audiences across borders. Should we fail to understand how these distinct theoretical repertoires interact, it would be difficult to study international ritual, identify its functions, and trace its effects. Anchored in the sociology of ‘social occasions’, this article weaves ritual's patterns, properties, and resources into a coherent analytical framework. The framework enables us to better to grasp how actors move between/within different worlds (ritual and performance) and to what effects. The comparative study of two post-terrorism ritual occasions (the 2011 Rose March in Oslo and the 2015 Republican Marches in France) illustrates the usefulness of this theoretical proposition and its related framework.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of the British International Studies Association
Figure 0

Table 1. Social occasions’ components and their related genres.

Figure 1

Figure 1. Rituals’ multiple audiences.

Figure 2

Table 2. Comparing two ritual occasions.

Figure 3

Figure 2. Political elites standing together in frontline positions at the Paris (left); and Oslo (right) marches.

Figure 4

Figure 3. A single unifying symbol in Oslo (flowers, left); and Paris (‘Je Suis Charlie’ boards, right).