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Of “Akankyemaa” and Beyond: Gender and Mining Income Disruptions in Late Colonial Asante

Published online by Cambridge University Press:  07 October 2025

David Damtar*
Affiliation:
Oriel College, University of Oxford, UK
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Abstract

Historical analysis of Ghana’s late colonial mine communities has been extensive and overwhelmingly dominated by organised and politically active male mineworkers. Questions regarding the linkages between formal and informal mining actors and cultural ideas in the broader mine communities have remained inadequately explored. This article makes a timely investigation by critically analysing a range of governmental and corporate archival documents and situating the discussion within the context of expansive literature on Asante, and complemented by oral histories. It centres on the Asante/Akan term “kankyema”—a sociocultural phenomenon which women transformed towards economic ends to navigate the late colonial political economy’s mining income disruptions. The article argues for the essential need to centre marginalised voices in understanding diverse agencies in African mining history and for a deeper reflection on the potentialities of contextual sociocultural ideas—notably, how marginalised actors invoke and evoke their capacities over different times.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press.
Figure 0

Table 1. Kankyema’s possible earnings against number of clients

Figure 1

Figure 1. Casualty roll of the 1963 Anyinam Shaft Accident Memorial

Source: Photograph by author, Jan. 2019.
Figure 2

Figure 2. Full view of the 1963 Anyinam Shaft Accident Monument

Source: Photograph by author, Jan. 2019.