Biologist and botanist Reginald Gates is mainly remembered as a staunch scientific conservative, a defender of racial theory and fierce opponent of racial mixing. In post-war Britain and America, Gates's racial views made him something of a pariah. This article explores Gates's post-war career as a micro-historical analysis of racial science and society after the Second World War. It examines the relationship between scientific racists and segregationists in the US, especially concerning the Brown ruling and the establishment of the Mankind Quarterly journal, arguing that science in this period was subsumed into politics as protagonists on both sides of the segregation debate used science to justify ideological positions.

Marcus Garvey's ideology had special meaning to West Indian migrants because it helped their economic adjustment in the United States. Despite the relocation of the Universal Negro Improvement Association to New York City, Garvey continued to speak predominantly to West Indians at home and abroad, since he shared their colonial mentality and understood their migrant ideology – the search for economic gain abroad in order to multiply options back home. Garvey scholars have argued that black Americans benefited from Garvey rhetoric as much as West Indian migrants, but tensions between the two communities suggest that black Americans did not think so. Garveyism served to accentuate economic rivalries as black Americans suspected that migrants wanted to transfer their material success back home – indeed, Garvey openly encouraged as much.

Region, home and transnational migration are explored in terms of the transcultural complexities that reverberate through Iranian American Gina Nahai's Sunday's Silence. Nahai grapples with stereotypes that attach to the Holiness churches in the east Tennessee region of Appalachia. This essay argues that the novel's politics rest on the intersubjectivity of strangers as bound into a metaphysics of desire. It is through this paradigm that Nahai writes against the reductive association of “minority” literature with discrete “national” models and through which she explores the local and the regional in a culturally complex narrative about the crisis of alterity.

In early twentieth-century Los Angeles, Anglo-American women writers documented the emergence of a metropolis. Perceptions of race, ethnicity and culture became embedded in the struggle to depict and interpret a new urbanism. In capturing the changing cityscape, women writers constructed Sonoratown, the old Mexican Quarter of Los Angeles, as a place in the social imagination. This article examines representations of Sonoratown and its Mexican inhabitants in two anthologies. Women writers, many of whom moved in civic and reform-minded circles, rendered Sonoratown ambiguously: as a “picturesque” place to be preserved and yet a space earmarked for renewal, Sonoratown became entwined with the drive for social reform, assimilation and urban development.

In the last two weeks of March 1959, the jazz bassist Charlie Mingus and the beat poet Kenneth Patchen performed on stage together at the Living Theatre in New York City. Mingus and his band improvised to jazz themes at the back, while Patchen read simultaneously from his poetry at the front. This article examines in detail both Patchen's and Mingus's work with jazz/poetry fusion art and positions these collaborations within the context of the wider movement. It explores the artistic relationship between Mingus and Patchen and examines and contextualizes these performances within the jazz aesthetic.

“Memory mapping,” including “rememory” (as stirringly pioneered by Toni Morrison), has become crucial within the humanities. Beginning with 1950s Nevada, the present article seeks deeper rememories of the American West, then critiques more recent history. Included are responses by Native Americans, Samuel Clemens recording the goldrush era, and interpretation of McCarthyism in light of the author's family's eviction from the US. Nevada was a nuclear testing ground. “Robot” aircraft have lately been deployed from the Nellis base in delivery of Hellfire missiles in Iraq. Overall, this layering of (often violent) history is shown to support a “poetics” of cultural memory.

An era of space explorations and an era of expanded civil rights for racial minorities and women began simultaneously in the United States. But such important social changes are very rarely discussed in relation to each other. Four recent books on how the US astronaut program finally opened to women and minorities in 1978 address a key part of this connection, without discussing the struggles that compelled the ending of traditional race and gender exclusions. This essay examines the organizational and political dynamics of how civil rights in employment came to the US civilian space program in the decades after 1970.

This article explores African American armed resistance during the 1917 East St. Louis race riot in the context of black migration and ghetto formation. In particular it considers the significance of the development of the black urban community, composed of an emerging working class and a dynamic, militant and increasingly influential middle class. It was that community which came under attack by white mobs in 1917, and this work illuminates the infrastructure of resistance in the city, showing how African Americans drew upon the resources of the nascent ghetto and older traditions of self-defence to protect their homes and families.