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Large Obsidian Bifaces from a Middle Horizon Ritual Offering in the South-Central Coast of Peru: Provenance and Technology

Published online by Cambridge University Press:  29 June 2026

Francesca Fernandini*
Affiliation:
Sección de Arqueología, Departamento de Humanidades, Pontificia Universidad Católica del Perú, Lima, Peru
Antonio Pérez-Balarezo
Affiliation:
Sección de Arqueología, Departamento de Humanidades, Pontificia Universidad Católica del Perú, Lima, Peru
Jalh Dulanto
Affiliation:
Sección de Arqueología, Departamento de Humanidades, Pontificia Universidad Católica del Perú, Lima, Peru
Alexandra Oshiro
Affiliation:
Facultad de Letras y Ciencias Humanas, Pontificia Universidad Católica del Perú, Lima, Peru
*
Corresponding author: Francesca Fernandini; Email: ffernandini@pucp.edu.pe
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Abstract

This report presents the provenance and technological analysis of two large obsidian bifaces recovered from a Middle Horizon (ca. AD 600–1000) ritual abandonment context at the coastal site of Cerro de Oro in the Cañete Valley, Peru. Portable X-ray fluorescence (pXRF) analysis identifies Quispisisa as the obsidian source, thereby documenting its circulation beyond highland Wari contexts. Technological analysis indicates contrasting trajectories: one biface shows no evidence of use, whereas the other exhibits macro use wear consistent with woodworking. Its location in a residential complex suggests community participation in the acquisition and ritual re-signification of prestigious nonlocal materials.

Resumen

Resumen

Este reporte presenta el análisis de procedencia y tecnología de dos grandes bifaces de obsidiana recuperados en un contexto ritual de clausura del Horizonte medio (ca. 600–1000 dC) en el sitio costero de Cerro de Oro, en el valle de Cañete, Perú. El análisis mediante pXRF identifica a Quispisisa como la fuente de la obsidiana, documentando su circulación más allá de los contextos wari de las tierras altas. El análisis tecnológico revela trayectorias contrastantes: un bifaz sin evidencias de uso y otro con huellas macroscópicas compatibles con el trabajo de la madera. Su deposición en un complejo residencial sugiere la participación de la comunidad en la adquisición y la resignificación ritual de materiales prestigiosos no locales.

Information

Type
Report
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of Society for American Archaeology.
Figure 0

Figure 1. Cerro de Oro and the lithic cache analyzed in this study: (a) location of Cerro de Oro in the Cañete Valley relative to the Wari site and the Quispisisa obsidian source, with eight-hour isochrones representing a one-day journey at 2.5 km/h; (b) aerial view of the residential compound showing the biface findspot; (c) cache with two obsidian bifaces and associated lithic artifacts. (Color online)

Figure 1

Figure 2. Scatterplot of pXRF Rb (ppm) and Sr (ppm) values. Confidence ellipses (95%) are shown for the major Peruvian obsidian sources (Quispisisa, Alca-1, and Chivay) and minor sources in Ayacucho and Apurímac (Puzolana, Jampatilla, Potreropampa, and Lisahuacho), based on geological samples collected by Jalh Dulanto. (Color online)

Figure 2

Table 1. pXRF Analysis Results (ppm) for Specimens CD00039 and CD00040, alongside Samples Collected from Three Major Sources in Peru and from All Minor Sources in Ayacucho and Apurímac.

Figure 3

Figure 3. Large obsidian biface CDO00039 from Cerro de Oro site: (a) photo; (b) diacritical analysis. (Color online)

Figure 4

Figure 4. Large obsidian biface CDO00040 from Cerro de Oro site: (a) photo; (b) diacritical analysis. (Color online)

Figure 5

Figure 5. Image of a warrior kneeling on reed boats depicted on Conchopata pottery: (a) line drawing; (b) colored reconstruction based on the original ceramic painting (Ochatoma and Cabrera 2002:231, Figure 8.5). Courtesy of José Ochatoma and Martha Cabrera. (Color online)