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5 - Through the Looking Glass

African National Congress and the Tricontinental Revolution, 1960–1975

from Part II - A Global Worldview

Published online by Cambridge University Press:  06 January 2022

R. Joseph Parrott
Affiliation:
Ohio State University
Mark Atwood Lawrence
Affiliation:
University of Texas, Austin

Summary

This chapter considers the relationship between solidarity and revolution by exploring the internal and international politics of the African National Congress (ANC). In the 1960s, the ANC operated internationally but there was little consensus on how the party should wage its struggle against apartheid South Africa. Taking inspiration from Cuba, young Tricontinental radicals challenged the diplomatic strategy of ANC elders like Oliver Tambo and launched an unsuccessful invasion of nearby Rhodesia (Zimbabwe). Tambo responded by appropriating parts of this message and situating the ANC as part of an anti-capitalist revolt aimed at the United States. Tambo also opened the ANC to non-Africans who supported his leadership, which increased the influence of the South African Communist Party and fought off Cuban-inspired militancy by collapsing the distinctions between revolutionary action and international solidarity. Because the Vietnamese and Portuguese revolutions confirmed the inevitability of apartheid’s demise, the ANC prioritized international collaboration over guerrilla warfare as part of a strategy that positioned the party as the legitimate alternative to the apartheid state.

Information

Figure 0

Figure 5.1 Tricontinental movements won support by combining political and social revolution, which often promoted the liberation of women alongside national independence. This image also attests to the global movement of iconography via Tricontinental networks. The Cuban artist Lazaro Abreu adapted this poster from an Emory Douglas illustration in The Black Panther depicting African revolutions. The combination of woman, gun, and baby appeared in Asian and African revolutionary imagery, which proved popular with young leftists in Europe and the United States. Lazaro Abreu after original by Emory Douglas, 1968. Screen print, 52x33 cm.

Image courtesy Lincoln Cushing / Docs Populi.

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