Intimacy, social media, and subaltern suffering

In this section, I argue for the concept of intimate publics as a decolonial analytic tool. I first highlight the connection between the study of intimacy and the affective impacts of racialised violence, before emphasising the importance of user-generated data to the fine-grained analysis of emotions, and especially of public intimacies. I frame the intimate public as a form of mediatised affective community, formed around injury, before moving to explore the centrality of subaltern suffering to the concept – particularly, in the present context, racialised subalternity. I then discuss how the affective structure of the Global South intimate public that is the focus of this article mediates colonial relations of power and violence, oriented, as it is, in a phantasmatic relation to the international – in the form, especially, of the US imperium – as well as to the local nation-state.

International Relations scholarship, particularly feminist IR, has engaged with the study of affect and emotion over the past two decades as part of a turn to investigating ‘the unspoken but experiential constitution of … larger categories of nation, state, economy, security’Footnote ²⁸ at the micropolitical levels of everyday experience. In this work of mapping emotional levels, interconnections, and worlds, the intimate has been a somewhat taken-for-granted presence. Until recently, IR scholars have infrequently theorised the intimate as a realm of power relations which connects the everyday worlds of ordinary people to the level of nation-states and the international.Footnote ²⁹ Meanwhile, political and cultural geographers have intensively engaged with the pioneering work of queer, feminist, and postcolonial anthropologists and historians on the regulation of intimacies by empires and nation-states.Footnote ³⁰ A key point of convergence between these scholarships is the lens that intimacy affords on the racialising effects of power. Intimacy offers a way of thinking about how imperial and colonial violence shapes subjectivities and forms of belonging, the ways in which it ‘[forms] the boundaries of our bodies and political communities’.Footnote ³¹ Rachel Pain and Lynn Staeheli thus observe that while the threat of physical harm is ‘almost always at the core’ of violence, ‘all forms of violent oppression work through intimate emotional and psychological registers’.Footnote ³² Yet as Pain and Staeheli acknowledge, people also resist, negotiate, and navigate violence through adhering to intimate and affective collectivities.

I examine, then, how an Iranian digital community is intimately constituted, and constitutes itself, in and through the racialised violence of economic sanctions.Footnote ³³ In so doing, I centre the significance of user-generated data for the study of public intimacies, including affects of suffering, loss, and hope. Within IR, Amanda Beattie, Clara Eroukhmanoff, and Naomi Head have argued for focusing on popular cultural material, which necessarily includes the digital, in order to map the workings of affect and emotion at the level of the everyday.Footnote ³⁴ IR and geopolitics research that examines the affective aftermath of terror attacks has also drawn on social media posts and replies in its analysis.Footnote ³⁵ More broadly, there has been an increased focus in IR on the emotional responses of populations of nation-states to international crises and disasters, which has entailed drawing on user-generated data.Footnote ³⁶ As Constance Duncombe rightly observes, ‘social media … has the capacity to challenge the conventional acceptance of what politics is – in formal state-centric terms – and who can participate.’Footnote ³⁷ Studies of public diplomacy, as she points out, have had increasing recourse to the analysis of user-generated content, frequently utilising an affect and emotion lens.Footnote ³⁸

Two recent studies of the Iran-P5+1 talks of 2013–15 are cases in point. Both studies analyse the emotional content of social media exchanges between Iranian and US representatives during the talks. The main focus of their enquiries, however, is the role of emotions in shaping the identity performances and narratives of state actors. The absence, from these studies, of the user-generated content produced by domestic publics on social media platforms, means that the violent impact of sanctions is acknowledged in passing, while the role of this violence in shaping subjectivities and forms of belonging remains unexplored.Footnote ³⁹ In Constance Duncombe’s account of the nuclear talks,Footnote ⁴⁰ Iran’s representatives positively choose to rise above what they termed US ‘bullying’, in the form of sanctions;Footnote ⁴¹ instead, they represent their nation, via diplomatic tweets, as strong, yet law-abiding, worthy of recognition on an ‘equal footing’Footnote ⁴² with Western states. Iran’s discursive strategy thus challenges US patterns of (mis)recognition and helps to build the ‘mutual trust’ and ‘respect’ that leads to the successful conclusion of the talks. In this perspective, a Global South state’s ability to decisively shape the narrative and hence the outcome of international talks appears as significantly uninflected by ‘hard power’, or imperial violence. The second study, by Alister Miskimmon and Ben O’Loughlin, gives rather more weight to the role of power inequalities between Iran and the West and less weight to the achievement of ‘mutual respect’.Footnote ⁴³ The authors’ focus is on how the superior ‘hard power’ of the US, which here largely takes the form of sanctions, is discursively staged during the nuclear talks. As they argue, ‘a superpower’ requires its power to be ‘witnessed’ and ‘recognised’,Footnote ⁴⁴ hence the onus is upon Iran, as an ‘untrustworthy’ state, to become ‘a trustworthy object’; Iran has to ‘put its interiority on display’Footnote ⁴⁵ and allow its nuclear programme to be wholly open to inspection by the ‘superpower’. In this account, the respective affective performances of US and Iranian representatives, in their public diplomacy on social media, correspond revealingly to each side’s position in the hierarchy of the state system; trust-building is framed as a notably asymmetric affair. Both these studies, then, yield a range of insights into the affective negotation of power dynamics during the talks. Nonetheless, their omission of the responses of Iranian domestic publics to the negotiations means that the broader affective reverberations of ‘hard power’, the ways in which violence is mediated and narrated to redefine political collectivities,Footnote ⁴⁶ are left out of consideration.

In addressing the affective impacts of violence, this research aligns itself with Emma Hutchison’s contention, in her book Affective Communities in World Politics, that emotions ‘lie at the core of how communities, including nation-states, are organised and function’.Footnote ⁴⁷ While affective communities have been defined in various ways,Footnote ⁴⁸ Hutchison’s work on these communities engages with three issues that are important for my argument: the role of emotions as shaping, and being shaped by, narratives of collective suffering and injury after catastrophe; the ways in which emotional narratives cement attachments to the nation; and the role of media representations in constituting these narratives. As Angharad Closs Stephens has observed, ‘collectivities do not precede but are produced through the circulation of emotions’;Footnote ⁴⁹ thus the role of media, not only in circulating emotions, but in reshaping the national imaginary through this circulation, is a key concern of the present study. Hutchinson’s discussion focuses largely on national communities formed around narratives of trauma. She describes how extreme events or periods of suffering ‘shatter identities and debase a wider sense of shared meaning or cohesion’, but are also followed by attempts to ‘restore or reconfigure’ the nation as ‘the “imagined” community of feeling’.Footnote ⁵⁰ Hutchison traces how collective emotions are narratively organised in response to catastrophe so as to reconstitute the political and affective coherence of the national community. She centres her empirical analysis on representations of catastrophe in national legacy media coverage, arguing that it is through such representational practices that powerful political interests operate to shape the emotions of national communities.Footnote ⁵¹ Her approach thus avoids situating official and popular versions of the national imaginary as polar opposites. In a more recent study, Chenchen Zhang draws in part on Hutchison's work to analyze emotional representations of the Covid-19 pandemic in Chinese media.Footnote ⁵² Her research, which covers both official legacy media and social media, similarly avoids casting official and popular narratives of the nation as perpetually in conflict, but also provides a rich picture of the ways in which social media commentators at times contest official versions of the national imaginary.

In the current research, I draw on Hutchison’s concept of affective communities for its centring of the role of emotional narratives in lending an imagined coherence to the injured national subject, and for its refusal of official-versus-popular dualisms. At the same time, I have found it helpful to bring the concept of affective communities into conversation with Berlant’s concept of intimate publics. As I explain further below, while intimacy is a well-established lens through which to study online affective collectivities, especially on social media, what the concept of the intimate public illuminates are the distinct and complex ways in which subaltern populations construct emotional narratives around structural violence. These narratives may include modes of complaint and critique, as well as empathy and gratitude, but for the most part, as I show, they mediate hopeful investment in the existing order. I thus frame the intimate public as a distinct mode of affective community, which narrates the experience of suffering and injury as ongoing, everyday and structural, rather than as extraordinary event, or trauma; it is through the narration of everyday violence that this form of affective community seeks to restore coherence to the national imaginary.

While there is a slowly growing scholarship on intimacy in International Relations, as I noted above, the concept of the intimate public has been little employed in IR. Intimate publics have, however, been frequently studied by media scholars, employing a range of feminist, queer, and critical race perspectives.Footnote ⁵³ Seen through a media lens, intimacy circulates in genres of texts and images in the mediated public sphere, rather than being cast as an attribute of individuals, or the ‘private’ realm; ‘intimacy travels from “public” institutions, ideologies and regulations to “private” fantasies, desires and life goals, and vice versa.’Footnote ⁵⁴ As the editors of the volume Mediated Intimacies point out, ‘the characteristics associated with intimacy seem inherent in the structure of social media: both intimacy and social media allow people to express and share what matters to them, and both encourage personalised connection and interactivity.’Footnote ⁵⁵ Digital intimate publics thus draw on the affordances of social and mobile media, which already disrupt the boundaries between private and public, and between the personal and the political.

The intimate public, then, offers disprivileged, ‘nondominant people’ a mass-mediated space of mutual recognition and reciprocity to voice their sufferings, in the expectation that these sufferings will be empathised with and consoled.Footnote ⁵⁶ An intimate public, Berlant explains, is first of all structured around complaint and disappointment. The experience of consolation and empathy, in turn, generates optimistic reattachment to social normativity. Both elements of the intimate public’s affective structure are typically oriented towards the nation: ‘[n]ations provoke fantasy’,Footnote ⁵⁷ as Berlant puts it. This is apparent, I suggest, in Zarif’s exhortation to his Facebook followers on the night of his return to Mehrabad airport; his post concludes: ‘the nation’s compassion and unity is a must more than ever.’Footnote ⁵⁸ Borrowing from Benedict Anderson, I frame the Zarif Facebook public as affectively structured around the imagined ‘horizontal comradeship’ of the nation suffering under economic sanctions.Footnote ⁵⁹ Mutual compassion – for shared suffering – brings national unity around a political project, or to put it differently, trusting in Zarif offers hope for the ending of sanctions. The intimate public is based, in this sense, on an ‘affective contract’,Footnote ⁶⁰ one that centres on a promise, however fragile or illusory, of reciprocity, even equality; the prospect that this relationship will at some point be beneficial to their members’ flourishing.

I wish to highlight, at this point, the centrality of subalternity to the affective practices of an intimate public, and to its analytical potential as a decolonial concept. For Berlant, the intimate public articulates the ‘subaltern pain’Footnote ⁶¹ that arises as particular responses to the violence of injustice and marginalisation. As ‘nondominant people’, in her account, subalterns are exposed to the multiple structural inequalities that are embedded in the workings of heteropatriarchal, racial capitalism.Footnote ⁶² Under this definition, Berlant includes publics that are ‘historically subordinated’ as a result of their gender, sexuality, race, class, or disability.Footnote ⁶³ As I explain in the next section, economic sanctions can be seen as predicated upon coloniality, in that they operationalise a racialised distinction between sanctionable and non-sanctionable life. On the basis that the Iranian population, apart perhaps from the most privileged, experience their situation as inhabitants of a sanctioned nation as racialisation, I expand the definition of ‘subaltern’ to include the sizeable middle class, below the elite, whose living standards and health are rendered precarious by sanctions, and whose narratives of pain and loss often feature prominently in the comments on the Zarif page.Footnote ⁶⁴ The Islamic Republic, Shabnam Holliday argues, has long sought to project itself in ‘national-popular’ terms as protector of the subaltern against Western imperialism.Footnote ⁶⁵ What Berlant calls ‘sentimental politics’ carefully plays upon subaltern narratives of suffering, with the nation as a source of redemptive hope. Sentimental politicians, in this account, ‘save the ‘political from politics’; they position themselves as renewing, through affect, the political bonds of trust between citizens and their representatives.Footnote ⁶⁶ It is this role, I argue, that Zarif plays in relation to the digital intimate public on his Facebook during the nuclear talks: through appearing to offer compassion and hope, he presents himself as drawing on the nation’s resources of ‘true feeling’ for all its citizens.Footnote ⁶⁷ Armed with this emotional knowledge, he appears to his followers as ready to tackle the structural injustices of both national and international political orders.Footnote ⁶⁸

My argument conceives the intimate public on the Zarif page as invested in both national and global, or imperial, political orders, in a phantasmatic structure that is marked by coloniality. Berlant initially framed the intimate public’s affective promise in terms of a distinctly American national fantasy: ‘if you invest your energies in work and family-making, the nation will secure the broader social and economic conditions in which your labor can gain value and your life can be lived with dignity.’Footnote ⁶⁹ In similar fashion, the Zarif page, as I mentioned in the introduction, encourages its followers to reattach to the nation through the promise of the post-sanctions ‘good life’ that the Rouhani administration offers; nonetheless, this better life is ultimately dependent on the policies pursued by the US and other Western powers. It is in this context that Rouhani’s rhetoric of ‘prudence and hope’,Footnote ⁷⁰ has to be located. Instead of defiantly dismissing sanctions as ‘a piece of torn paper’, as the previous administration of Ahmadinejad had done,Footnote ⁷¹ Rouhani proposed a policy of ‘moderation’ towards Western powers, in the form of talks over Iran’s nuclear programme. Successful negotiations, Rouhani declared, would bring ‘hope’ for Iran’s population, especially unemployed young people, as Iran moved out of isolation and reintegrated into the global economy. His rhetoric echoed the optimistic language in President Obama’s annual broadcasts at Iranian New Year (Nowruz), which, beginning in 2009, had repeatedly promised Iranians an end to sanctions, and access to global economic opportunities, if their leaders would enter into talks.Footnote ⁷² Obama’s 2010 broadcast envisaged a post-sanctions ‘future where Iranians can exercise their rights, to participate fully in the global economy, and enrich the world through educational and cultural exchanges’.Footnote ⁷³ Likewise, in the wake of Rouhani’s presidential victory in 2013, and the initiation of talks, Obama’s Nowruz message of 2014 promised that if Iran ‘meets its international obligations … [it would mean] more economic growth and jobs for Iranians, especially young Iranians who dream of making their mark in the world’.Footnote ⁷⁴ Rouhani’s language in his first election campaign video closely paralleled Obama’s promises, stating that he wanted to ‘reconcile with the world … [to] develop constructive interaction with the world’. As he put it, ‘people are asking – why should they travel all the way to Europe to seek an ordinary [decent, dignified] life?’Footnote ⁷⁵ As well as echoing Obama’s language of the global ‘good life’, Rouhani was alluding to a trope of middle-class youth unemployment and emigration, which had been inscribed into the national memory since the 1980s, the decade of the devastating Iran-Iraq war and accompanying economic depression.Footnote ⁷⁶ It is this intertwinement and overlapping of emotional investments, oriented both to the local state and to the US imperium,Footnote ⁷⁷ that is echoed, I argue, in the Zarif Facebook, locating its intimate affective structure as rooted in coloniality. The page’s optimistic orientation is thus doubly cruel, ensuring that the subaltern remains ‘attached to the world that generates the very injustices that marginalize them’.Footnote ⁷⁸

A ‘crip’ lens: Sanctioned bodies and the coloniality of affect

In this section, I pursue further the notion of intimacy as a colonial affective structure, introducing a ‘crip’ or critical disability lens to examine the ways in which the violence of sanctions shapes emotional understandings of the national and the imperial, situating sanctioned Iranian bodies at the intersection of intimate discourses and practices of racialisation, disablement, and debilitation. Beginning from an understanding of sanctions as colonial violence, I argue that this violence impels the redefinition of Iranian bodies and subjectivitiesFootnote ⁷⁹ around the racialised and ableist frame of development as the index of the normative body and subject.

Recent scholarship has begun to question the dominant IR perspective on sanctions as a ‘normal’, peaceful, rational mechanism of pressure in the state system, and instead examines economic sanctions as forms of systematic violence, ‘punish[ing] entire populations of nation states’.Footnote ⁸⁰ The indiscriminate nature of sanctions as instruments of violence has been long regarded by sanctions specialists as essential to their effectivity. While Iran has been periodically subject to US-led economic sanctions since the foundation of the Islamic Republic in 1979, the sanctions imposed by the Obama administration from 2010, in collaboration with the UN and EU, were particularly harsh and comprehensive.Footnote ⁸¹ There is a plethora of evidence for the violent impact of US, UN, and EU sanctions upon the Iranian population, especially the most vulnerable.Footnote ⁸² Farhad Rezaei identifies rising unemployment, drug addiction, crime, suicide, and prostitution as evidence of social demoralisation and anomie reaching levels high enough to threaten the Iranian government’s ability to control the country, thus driving it to the negotiating table.Footnote ⁸³ Richard Nephew, the former deputy coordinator for sanctions policy at the State Department under the Obama administration, clearly explains that ‘sanctions are a form of violence’, emphasising that ‘the power [of sanctions] to hurt’ the target state must be ‘measured in the suffering it can cause’ among a population.Footnote ⁸⁴ As Stuart Davis and Immanuel Ness observe, Nephew ‘develops “pain” as an analytic category, arguing for the strategic application of harm' through a range of carefully calibrated restrictions on trade that were designed to shrink the economy, increase unemployment and raise food prices - measures which disproportionately affected the majority of Iranians, far more than the wealthy elite.Footnote ⁸⁵ The main point of sanctions on Iran, as Nephew explains it, was to inflict ‘pain’ in the broadest sense – not only economic, but psychological and emotional – with the aim of ‘prying apart the regime and the population’ and thus weakening the government’s ‘resolve’.Footnote ⁸⁶

Western strategists have long understood, then, that sanctions are an ‘economic weapon’ that are often ‘more tremendous than war’ for their effect on civilian populations.Footnote ⁸⁷ From a Marxist perspective, Davis and Ness argue that sanctions are a neocolonial instrument that is typically employed by Western imperialist states against less powerful states in the Global South.Footnote ⁸⁸ Mariam Georgis and Riva Gewarges go further, however, framing Western sanctions on Iraq not only as a form of imperial violence, but as a form of violent coloniality. They draw on the work of Anibal Quijano, Walter Mignolo, and others to define coloniality as the organisation of power relations around an ontological divide between the human and the less than human.Footnote ⁸⁹ Viewed through the lens of coloniality, the international system is a hierarchy that continues to be shaped by the circumstances of its foundation in colonial empire, one in which violent domination, with its racialising and dehumanising dimensions, is a structural rather than accidental feature.Footnote ⁹⁰ In Georgis and Gewarges’s argument, sanctions’ violence is tied to coloniality in the sense that it is predicated upon ‘the dehumanisation of certain populations at the bottom of the racial hierarchy’.Footnote ⁹¹ In focusing on the security of states, they contend, mainstream IR has erased the insecurity and suffering of racialised populations from its purview.Footnote ⁹² I draw parallels here between their argument and Jasbir Puar’s account of debilitation as neoliberal capitalism’s systematic exposure of racialised populations to impairment, disablement, and premature death.Footnote ⁹³ This is not to argue that disablement is merely a metaphor for racialisation: it is a means also by which racialisation is enacted; disability, as Shaun Grech contends, was and is ‘constructed, imagined and lived in the colonial’.Footnote ⁹⁴

In this vein, I argue that it is through discourses of disablement that the affective structure of the Zarif Facebook’s intimate public is most clearly actualised. In 2009–12, as I described above, the Obama administration repeatedly deployed the phrase ‘crippling sanctions’ to mediate Iran’s immobility and powerlessness under US-led sanctions, its inability to access the resources and markets it needed for economic development.Footnote ⁹⁵ Two events impelled Iranian social media commentators’ appropriation and recontextualisation of this trope. On 8 October 2013, the Zarif team posted images of the foreign minister lying in bed, working on his laptop, on the plane to the talks in Geneva. In a post that day, Zarif described himself as suffering from an episode of severe back pain.Footnote ⁹⁶ On 16 October, he appeared at the talks in a wheelchair.Footnote ⁹⁷ On his Facebook, and across social and legacy media platforms, comparisons abounded between Zarif’s injured body and the body of the nation ‘crippled’ by sanctions. In this emergent narrative of the ‘crippled nation’, I argue, the suffering caused by sanctions is situated within the frame of economic underdevelopment as a racialised condition. Social media commentators’ redeployment of the imagery of ‘crippling’, as I show in the data analysis section, in the first place acknowledged the dual violence visited upon the Iranian population: the violence of the US and other Western powers in continuing to impose sanctions, but also the perceived callousness of the previous Ahmadinejad administration which had defied sanctions and left the people to suffer. This narrative centred around the spectacle of the racialised, underdeveloped, disabled national body. The imagery of national disablement, however, as Eunjung Kim has argued in relation to Korea, contains within it a narrative of ‘recovery’,Footnote ⁹⁸ whereby the national body is envisioned as once again – in the imagery that is also recurringly employed by Zarif's Facebook audience – ‘standing on its feet'. The trope of the potentially ‘recovering’ national body may thus be understood as a focus for optimistic attachment to the Rouhani government as providing a route out of economic ‘backwardness’, and towards the position of ‘normal’ nation in the (US and Western-led) global order. As Kolarova and Wiedlack observe, ‘[t]he development fantasy continues to colonise the lives of disabled and racialised communities.’Footnote ⁹⁹ Development discourses, they argue, in well-nigh Berlantian terms, are ‘an affective politics of promise’,Footnote ¹⁰⁰ through which people maintain an ‘affective investment’ in ‘imaginings of the future, a “good life”, and humanity’.Footnote ¹⁰¹ Iranians’ fantasy of proximity to deracialised, normative status accords with Berlant’s definition of ‘cruel optimism’, in that it entails an attachment to the very political order, both national and international, which is the source of the injury in the first place.Footnote ¹⁰²

I thus frame the intimate public on the Zarif page as structured, through coloniality, around a dual desire, firstly, to mourn the underdevelopment, ‘backwardness’ and immobility imposed by sanctions, and secondly, to acquire developed and deracialised status. There is a convergence, here, between my account of the dual affective structure of this intimate public, and Sima Shakhsari’s analysis of the ambivalent status of Iranian life in Western narratives of Iran. On the one hand, Shakhsari contends, Iranians are racialised as rightless, dangerous, sanctionable life, while on the other, they are offered the prospect of deracialisation, as they aspire towards ideal neoliberal rightfulness.Footnote ¹⁰³ If, as I argue, the state of rightlessness underpins the narrative of the injured and suffering nation – the racialised subaltern’s complaint – the promise of rightfulness equates to the ‘good life’ after sanctions. In this phantasmatic aspiration, proximity to rightfulness is also proximity to civilised status, to whiteness.Footnote ¹⁰⁴ I underline, here, a point that I made earlier: the complexity of this intimate public’s affective structure is connected to the way in which it intertwines a degree of recognition of an unequal international order as a source of injury with a misrecognition of the routes to recovery from this injury.Footnote ¹⁰⁵

The intimate public and the nation: Wounded attachments, imperialism, and histories of injury

In this final section of the theoretical discussion, I engage with the aspect of the intimate public’s affective structure, which, I argue, has somewhat more to do with recognition than with misrecognition of the sources of suffering. Here, I propose a partial rethinking of the place of nationalism within the intimate public. Berlant’s critique of public intimacy centres around a scepticism towards the nation, and ‘national sentimentality’ as a ‘universal’ frame for subaltern suffering. While this scepticism is salutary and necessary, the Berlantian framing of nationalism requires qualification, in a Global South context, if it is not to obscure histories and legacies of (neo)colonialism and imperialism that continue to shape national experiences. In the first place, if a nation’s entire population is living under sanctions, as in the case of Iran, there is an important sense in which national pain maps closely onto subaltern pain – if one excludes the elite.Footnote ¹⁰⁶ While this experience will by no means be ‘universal’, there will be an element of common, indeed national experience. A decolonial ‘crip’ lens thus directs attention to the material debilitation and disablement of racialised populations, rather than limiting itself to questioning the uses of disablement as a metaphor for racialisation.Footnote ¹⁰⁷ My second point concerns the construction of national history and memory around a narrative of suffering. Wendy Brown has argued that a subordinated group’s continual narration of injury as the basis of its identity results in a politically unproductive attachment to the ‘wound’; the group becomes imprisoned, in its self-imagining, by the history that produced the injury, rather than being actuated by a desire for a futurity in which the conditions which gave rise to the injury would no longer exist.Footnote ¹⁰⁸ From a different perspective, Emma Hutchison draws on Vamik Volkan's concept of ‘chosen trauma’ to refer to affective national communities which refuse the choice of ‘working through’ their trauma, continue to define their identity as a wounded identity, and thus become ‘unable to heal and move on in a forward-looking manner’.Footnote ¹⁰⁹ While these approaches cast valuable light on the ‘ways in which “‘wounds” enter politics’, nonetheless, Sara Ahmed suggests, ‘the critique of injury needs to recognise the different rhetorical forms of injury as signs of an uneven and antagonistic history’.Footnote ¹¹⁰ For example, the recuperative model of ‘working through’ trauma would need to be set alongside a subaltern perspective on imperial violence as constitutive of and endemic to the present international order.Footnote ¹¹¹ From such a perspective, as Ahmed argues, boundaries between past trauma and present injury are necessarily blurred; by implication, then, narratives of the colonial present (in Derek Gregory’s phrase)Footnote ¹¹² as an arena of recovery also become open to question. The wounds of the subaltern, Ahmed contends, ‘remain open in the present’; ‘the past is living rather than dead’. Hence the main problem with fetishising the wound as the basis of identity is precisely that it ‘cuts the wound off from a history of “getting hurt” or injured’. While identitarian attachment to the wound is unproductive, to forget ‘the past as the scene of wounding', she points out, ‘would be a repetition of the violence or injury’.Footnote ¹¹³ I extend this observation to the national experience of racialised subalternity, as a partial corrective to a Berlantian scepticism concerning ‘national sentimentality’ and its associated intimacies.

It is thus important to note that aspects of the ‘crippled nation’ discourse engage with a history and memory of national injury that long predate the period of data collection. Images of Zarif suffering from back pain prompted many among his Facebook audience to recall Prime Minister Mossadegh’s struggles with poor health.Footnote ¹¹⁴ Mosaddegh is the central historical figure of Iranian anti-colonial nationalism, invoked by many supporters of the Islamic Republic, as well as by most secularists.Footnote ¹¹⁵ Mosaddegh was elected as prime minister in 1951, and attempted unsuccessfully to nationalise Iran’s oil in the teeth of opposition from Britain, which had a decisive stake in Iran’s oil industry through the Anglo-Persian Oil Company. In 1953, he was overthrown in a coup backed by both the UK and the US.Footnote ¹¹⁶ The story, well known to most Iranians, of Mosaddegh’s valiant, though ultimately doomed, struggle against old and new imperial powers, functioned, for many social media commentators – and for journalists and politicians – as a frame through which to interpret the travails of Zarif. The juxtaposition of Mosaddegh and Zarif, as I show below, entailed making clear parallels – usually, though not always, positive ones – between a prime minister who sought to combat Western economic (neo)colonialism in an attempt to achieve national self-sufficiency in oil, and Iran’s current Foreign Minister, who was seen both as defending the country from damaging economic war in the form of sanctions, and as asserting Iran’s right to achieve self-sufficiency in energy through its nuclear programme.Footnote ¹¹⁷ While there were divergent political interpretations of these parallels, in debates that raged across legacy as well as social media, I do not treat national memory, here, as simply a mythic construction that had little empirical purchase on reality.Footnote ¹¹⁸ The historical continuities that commentators perceived between Zarif’s diplomacy around the nuclear negotiations and Mosaddegh’s frantic diplomacy of 1951–2 were not, to them, merely ‘grievances from the past', in President Obama's phrase;Footnote ¹¹⁹ they were pointing, instead, to unresolved and ongoing imperial violences, from military intervention to economic sanctions, that continued to impact Iranian lives and Iran’s trajectory as a nation.Footnote ¹²⁰ While the use of the ‘crippling’ trope is deeply problematic, not least for its ableist association of disability with a depotentiated national body, Iranian social media commentators’ comparison of Javad Zarif’s injury with the health problems of Mosaddegh nonetheless pointed to a continuous history – a national history – of ‘“getting hurt” or injured’.Footnote ¹²¹ The problem here, perhaps, does not lie in the subaltern’s attachment to woundedness per se, but to the specific ways in which the wound is collectively imagined, narrated, and felt, including, here, its association with the current state, via the body of Zarif. As I have suggested, the complexity of this intimate public’s affective structure is that it intertwines a partial recognition of the sources of injury in the racialised hierarchy of the international, with a misrecognition of the means of recovery, a misrecognition that involves a cruelly optimistic reattachment to both national and international political orders.

Methodology

We are now in a position to more fully understand why the mediation of Zarif’s severe back pain in October 2013 carried such affective resonance both within and beyond the circle of his social media followers. As a combined trope, these news events enabled the dual affective structure of the intimate public – consolation for suffering and hope for recuperation – to be read onto Zarif’s injured body. In what follows, I set out the methodology for identifying and analysing these readings, or narrative strands, before moving onto the empirical section.

In selecting my data, I draw mainly upon my archive of interactions between Zarif and his following on his Facebook during October and November 2013. It is necessary to point out, first of all, that Zarif’s popular Facebook page was in continual interaction with the wider Iranian public sphere. As Kermani and Adham point out, in authoritarian contexts, such as that of Iran, social media ‘create opportunities to discuss sensitive topics and present opposing views’.Footnote ¹²² In 2013, Internet penetration in Iran reached the then relatively high proportion of 49.13 per cent of the population.Footnote ¹²³ Zarif’s Facebook was accessed by a wide audience inside the country, yet when faced with the constant evidence of Zarif’s public diplomacy conducted via Facebook, in Farsi as well as English, the response of much Western media at the time was dismissive. A Huffington Post article observed of Zarif’s Facebook that: ‘[t]he people of Iran never legally see these postings – they are blocked. The postings are for your eyes and my eyes and for the rest of the Western world.’Footnote ¹²⁴ It is widely known that the Iranian state conducts filtering and blocking of social media content and platforms, and Facebook is officially banned in the country. However, in casting Iran as mired in isolationist, nativist backwardness behind an ‘electronic curtain’ – a phrase President Obama used in relation to Iran in 2012Footnote ¹²⁵ – several Western media outlets in this period simply ignored the possibility that the audience for Zarif’s Facebook posts might be largely domestic, even though his posts were (and are) for the most part written in Farsi. This narrative aligns with a broader orientalist narrative on Iran, which frames the country through the twin tropes of untrustworthiness and despotism.Footnote ¹²⁶

There is a good deal of evidence that contradicts the Huffington Post article’s assertions. it is well established that the majority of Internet users in Iran are accustomed to using web proxies, VPNs, or other tools to bypass filtering, and most users of Facebook or other SNSs are not deterred from discussing political matters.Footnote ¹²⁷ A survey conducted after the 2009 elections found that 78 per cent of respondents used VPNs to access at least one digital platform: all digital platforms accessible inside Iran, it should be noted, are based abroad. In this survey, 31 per cent of respondents used Facebook and 37 per cent believed Facebook was the most consulted source for coverage of the contested presidential 2009 election. Indications are that Facebook subsequently grew in popularity.Footnote ¹²⁸ In one survey, Facebook was the most popular SNS among users inside Iran in 2012.Footnote ¹²⁹ Conservative activists, as well as moderates and reformists, have employed Facebook for political purposes. Moreover, Zarif was by no means the only Iranian politician to open an official Facebook account in 2012–13, despite the state ban on Facebook.Footnote ¹³⁰ For example, Facebook was used for campaigning during the 2013 elections by supporters of the hardline presidential candidate, Saeid Jalaili,Footnote ¹³¹ while Iran’s Supreme Leader, Ali Khamenei, opened a Facebook account in December 2012.Footnote ¹³² Nonetheless, it was Javad Zarif, as Iran’s chief negotiator in the nuclear talks, who became celebrated as, in effect, Iran’s ‘digital minister’.Footnote ¹³³ His posts in Farsi performed the conscientious public servant through their often mundane information function. This level of openness from a minister, combined with the humble, warm, and intimate tone of his posts, invariably beginning ‘Hello friends’, was in marked contrast not only with the previous government’s rejection of negotiations, but their tight-lipped refusal to acknowledge the violent impact of economic sanctions on the Iranian population.Footnote ¹³⁴ By the time of Zarif’s post about his back pain, on 8 October 2013, his Facebook following was reported as numbering some 450,000.Footnote ¹³⁵ The marked overlap between Zarif’s Facebook page and the wider Iranian public realm was vividly exemplified by the remarkable exchange that I discuss in the final section: the exchange between Zarif and a commentator identifying as a young woman suffering from severe pain and back problems, who questioned the sincerity of Zarif’s professed empathy with Iranians’ suffering under sanctions. Their dialogue became a nationwide news story, running across several legacy media outlets inside Iran.Footnote ¹³⁶

My analysis centres on the twin news events of Zarif’s post concerning his back pain on 8 October 2013 and subsequent appearance at the talks in a wheelchair on 16 October, followed by his post on 18 October. The mediation of these events on his Facebook, and beyond, were crucial in establishing an affective repertoire of national suffering that helped to shape Iranian imaginings of national and international politics. I devote limited space to two other news events, insofar as they clarify my account of the repertoire of suffering and its implications – Zarif’s much-reported exchange with the abovementioned young woman on his Facebook on 15 October, and his arrival at Mehrabad airport on 24 November. Adopting a discourse-analytical method, I conceptualise affect as always entangled in semiosis or meaning-making.Footnote ¹³⁷ No hard and fast distinction is made between affect and emotion. I focus on the textual and visual material produced in and around these events, both on Zarif’s Facebook page and other media sites, as archival traces of what Margaret Wetherell has termed affective-discursive practices,Footnote ¹³⁸ that is, as records of communicative acts that signify emotion as part of social meaning-making. Wetherell’s approach has also been identified as well suited to the analysis of affective nationalism as discursive practice.Footnote ¹³⁹ Intimacy, on the Zarif page, is treated here as a mediated online practice that works, like other affective-discursive practices, to ‘construct relations of proximity and distance, affiliation and detachment, and inclusion and exclusion’.Footnote ¹⁴⁰ Affective-discursive practices in turn draw on interpretative repertoires. An interpretative repertoire ‘is a form of discursive practice or a recurring way of talking about a topic, characterizing and evaluating events and actions’,Footnote ¹⁴¹ that draws on available cultural resources, including ‘broadly discernible clusters of terms, descriptions and figures of speech often assembled around metaphors or vivid images’.Footnote ¹⁴² Accordingly, this study focuses on metaphors and images of ‘crippling’ incapacitation, injury, and bodily pain to describe Iran, its people and its political representatives, all placed in narrative relation to Zarif’s back injury.

Data Analysis: mediating the ‘crippled nation’

The data analysis identifies four different ‘threads’Footnote ¹⁴³ or narrative strands within this repertoire of incapacitating injury – I call them ‘strands’ to avoid confusion with ‘thread’ as a term commonly used in other (social) media contexts. The first strand, that of empathy for suffering and hope for recovery, is identified as the basis of the Zarif intimate public. The second, that of shame and anger at Iran’s ‘weakness’, is identified with Zarif’s conservative opponents in the state. The third strand draws on readings of Zarif’s back injury by Western media, specifically English-language news reports that refer to Western diplomats’ sympathy for Zarif’s injury at the talks. The fourth, dissenting, strand, usually latent in the comment threads on the Zarif page, but surfacing occasionally, is exemplified here through the analysis of a viral exchange between Zarif and the commentator identifying as a young woman with severe health problems, who dissociated herself from the mainstream political factions. Through exploring the narratives of these threads, and the relations between them, I endeavour to draw out their significance for thinking about the emotional mediations of nationalism and imperial violence in IR.Footnote ¹⁴⁴

Affective strand #1: The suffering nation

On 8 October 2013, the Zarif team released several photographs showing Zarif in a plane on his way to the Geneva talks. They showed him working lying down, under a blanket, with his laptop in his chest. In a Facebook post, Zarif ascribed this to a sudden episode of back pain. ‘This morning, after seeing the headline of one newspaper, I got severe back and leg pain’, he wrote, ‘I couldn’t even walk or sit.’ He noted that this had forced him to go to hospital for a scan.Footnote ¹⁴⁵ In analysing the affective narratives around Zarif’s back pain, I begin with the reaction strand that seems most characteristic of the Zarif Facebook page as an intimate public. Zarif’s 8 October post announcing his treatment for back pain attracted huge sympathy among his already substantial Facebook following.Footnote ¹⁴⁶ Especially for Iranians inside the country, his back pain seemed to symbolise and embody the notion of sanctions as a crushing and incapacitating burden on the nation. What attracted global as well as national attention, however, was Zarif’s subsequent appearance at the final press conference to mark the end of the first round of negotiations on 16 October: he appeared in public in a wheelchair. His injury generated sympathy both inside and outside Iran – it supposedly even ‘broke the ice’ among diplomats during the nuclear talks.Footnote ¹⁴⁷ Zarif’s first Facebook post in Persian after this appearance, on 18 October, began, as usual, with the warm and familiar greeting, ‘hello, friends’. The post mainly focused on reporting details of the negotiations – in Zarif’s rather typical mode of the humble public servant doing his duty – and only devoted a few sentences at the end to his medical condition. Much more expansive were the comments on his post. An early comment that attracted thousands of likes pointed out that Zarif’s body in the wheelchair also represented the body of Iran, a body that was wracked by pain, restricted in its movements, and barely able to participate in the talks.Footnote ¹⁴⁸

Whatever the origin of Zarif’s back pain, these images and texts mediated and staged a claim to suffering that had larger ramifications than his immediate personal experience. In mediating the onset of his back pain, I argue, Zarif was reappropriating an ableist trope of US diplomatic discourse, in order to resituate it within the affective repertoire of national injury, centring on the trope of the nation as disabled body. A typical reply among the many that praised the comparison expressed the hope that the nation of Iran could one day overcome its pain and frailty and stand upright. A few months later, in April 2014, Iran’s Supreme Leader Khamenei was to draw on similar imagery, though rather less empathetically:

In this passage from a widely disseminated speech, the metaphor of a strong, fully capacitated body evokes the independent and freely developing nation, free from imperial interference.Footnote ¹⁵⁰ Conversely, the image of the injured or disabled body represents the nation suffering the burden of foreign intervention, in the form of sanctions. Khamenei swiftly repudiates this picture of national ‘weakness’, while the commenters on the Zarif page embrace it, but all mediate an understanding of the imagery’s significance for the national narrative. As Eunjung Kim explains, in another postcolonial context, that of Korea, ‘[d]isability as nationalized identity produces the mythical experience of shared oppression by the “imagined community” of a modern nation-state that shall be sovereign and autonomous – a community horizontally imagined in the form of an independent, nondisabled body.’Footnote ¹⁵¹ The use of disability as metaphor for racial and colonial subalternity can be read in number of ways in the context of Iran sanctions: firstly, the metaphor suggests, highly misleadingly, that no matter how privileged one is, as a member of the Iranian national community, one suffers the same injury; secondly, the metaphor inferiorises the status of disabled people within the nation through the trope of ‘recovery’ from an undesired condition, while simultaneously erasing disability as an oppression suffered by a particular group within the population; lastly, the imagery acknowledges, albeit in distorted fashion, something of the debilitation visited upon the wider population by imperial violence.Footnote ¹⁵²

The trope of disablement, I argue, specifically mediates sanctions as imperial violence through invoking the discourse of ‘crippling’ (falaj, in Persian). In March 2012, President Obama emphasised the growing international impetus towards multilateral sanctions on Iran, in the wake of the comprehensive US sanctions of 2010:Footnote ¹⁵³ ‘our friends in Europe and Asia and elsewhere are joining us … the Iranian government faces the prospect of even more crippling sanctions’.Footnote ¹⁵⁴ In August 2013, prominent Iranian political prisoners wrote to Obama asking him to lift what they also referred to as ‘crippling’ sanctions.Footnote ¹⁵⁵ Zarif himself used the same vocabulary, speaking of sanctions as ‘crippling’ and ‘deadly’ in an English-language video released during the tense final phase of the first round of negotiations.Footnote ¹⁵⁶ Using a ‘crip’ decolonial lens, recent scholarship has highlighted the intertwinement of racialised and ableist features in the discourse of development as a linear trajectory of neoliberal progress; in this view, both the racialised body and disabled or ‘crippled’ body operate as blockages to normative, forward-facing temporality.Footnote ¹⁵⁷ While the discourse of ‘crippling’ sanctions was taken by Iranians to imply their permanent disablement/incapacitation, President Obama simultaneously held out the promise, in his Iranian New year (Nowruz) broadcasts from March 2009 to March 2016, that Iranians would enjoy access to global economic opportunities, once sanctions were lifted; Rouhani, in his 2013 election campaign, had promised much the same thing. The dual affective structure of the intimate public on the Zarif page was thus characterised, on the one hand, by consolation and empathy for past and present injury, and on the other, optimistic, future-oriented attachment to the political order that was the source of that very injury. Or to put it differently: the complaint of racially otherised, sanctioned, non-normative bodies co-existed with a desperate desire for rightful, deracialised, normativity.

Affective strand #2: Vulnerability as weakness

In the second, conservative strand of the affective repertoire of national suffering, Zarif’s appearance in a wheelchair also invited identification with the body of the nation. The emotional responses of conservatives differed noticeably, however, from those of Zarif’s followers. Conservative political opponents of the moderate Rouhani administration, of which Zarif was a member, remained suspicious, if not outright hostile, towards the government’s negotiations with the ‘global powers’, despite the public backing of Supreme Leader Khamenei for the talks.Footnote ¹⁵⁸ The two previous conservative administrations, under President Mahmoud Ahmadinejad, had adopted a stance of defiance towards Western pressure over Iran’s nuclear programme. Ahmadinejad had dismissed economic sanctions, famously, as a ‘torn piece of paper’.Footnote ¹⁵⁹ During and after Rouhani’s election campaign, intransigent conservatives who had refused negotiations were repeatedly figured to Iranian audiences as callously complicit in the violence of sanctions. Zarif made a sharp intervention into this debate, in his 8 October post, with his claim that his back spasm had been brought on by nervous stress after reading a newspaper headline related (as it quickly emerged) to an article in an Iranian conservative newspaper, Kayhan, that criticised his negotiating performance.Footnote ¹⁶⁰ Zarif describes his painful condition in some detail for his audience. He ends, as he often does, by quoting the popular Persian poet Rumi to affectively underline his message, that his enemies have no need to threaten him – he is already enduring ‘death in life’, and thus sacrificing himself for the good of the nation. Many of the overwhelmingly sympathetic comments under Zarif’s post refer to Kayhan specifically, identifying the conservatives as the agents of both Zarif’s and the nation’s suffering. Kayhan’s politics are presented in several comments as a direct cause of national disablement, through reference to the massive numbers of casualties suffered during the Iran-Iraq war of the 1980s. By contrast, conservative media outlets strongly criticised Zarif’s public wheelchair use, and its function as a metaphor for the condition of the nation. One conservative MP, Karimi-Ghodoussi, commented: ‘Zarif’s presence in the negotiations, translated into diplomatic language … means Iran’s crippling … By sitting in a wheelchair during the Geneva talks, [he] gave a message to the Western powers that the Iranian foreign minister, as a symbol of Iranian diplomacy, has become crippled, which means the crippling of Iran.’Footnote ¹⁶¹ Zarif tersely alludes to these conservative critics at the end of his posted update on the negotations a few days later: ‘I apologize if my physical condition offended some of you.’Footnote ¹⁶² The conservative response, then, to Zarif’s staging of his condition was not empathy, but shame and anger at Zarif’s weakness and Iran’s humiliation.

The uses of the anti-imperialist past

Images of Zarif working from his bed immediately recalled, for many social media commentator and journalists, another frail body, that of Prime Minister Mohammad Mosaddegh. When a comparison between Zarif and Mosaddegh is made, it usually speaks to the particular version of the affective repertoire of national suffering that the commentator wishes to mediate. Mosaddegh, as mentioned above, had attempted to nationalise Iran’s oil industry against Britain’s opposition, and was overthrown in a US-UK-backed coup in 1953.Footnote ¹⁶³ As an unofficial national hero, Mosaddegh symbolises Iran’s repeated subjection to imperial intervention, but also its history of anti-colonial and anti-imperial resistance.Footnote ¹⁶⁴ Given his secular politics, however, Mosaddegh has never been adopted into the Islamic Republic’s official canon of national heroes. Responding in part to Zarif’s initial 8 October post mentioning the Kayhan headline, an article on another conservative website, Bultan News, featured montages of Zarif and Mosaddegh, both recuperating in bed; the article compared the vigilance of the soldiers who had defended the country during the Iran-Iraq war with the ‘insult’ of Zarif’s bedridden incapacity, concluding that ‘the Iranian people now want strong negotiators who do not stint on physical training.’Footnote ¹⁶⁵ Mosaddegh is also implicitly derogated in this comparison, his supposed weakness in the face of imperialism contrasting with the strength of the Islamic Republic. The article aligns with the narrative of Iranian conservative parliamentarians who, as we saw, were vehement in rejecting the weak image of Iran that they understood Zarif to be projecting.Footnote ¹⁶⁶

In contrast, for many of Zarif’s followers, the parallel with Mosaddegh was not only obvious, but favourable to both men. Replying to the comment on Zarif's 18 October post which compared Zarif's bodily condition and the nation’s, one commentator extracted an optimistic message from the parallel between images of Zarif in bed and in the wheelchair, and pictures of Mosaddegh in bed. Mosaddegh, they observed, continued to give his all for the nation, despite his ill health, which had actually been brought on by his efforts to secure nationalization of Iran’s oil industry. Taking a rosy view of Mosaddegh’s diplomacy of 1951-2 prior to his overthrow, the commentator concluded by wishing Zarif similar success in the nuclear talks.Footnote ¹⁶⁷ Rather than failure in the face of the West, for this commentator Mosaddegh represents triumph. In this individual’s memory, rather than malingering in bed, Mossadegh has been admitted to hospital. He is also represented here as reading reports, just like Zarif in the images posted on 8 October. The Zarif team’s media output periodically included photographs and posts concerning his incapacitation that mediated resilience and dedication, self-sacrifice for the country, a work ethic maintained despite pain and immobility.Footnote ¹⁶⁸ For affective strand #1, associated with support for Zarif and Rouhani, the comparison with Mosaddegh clarifies the affective structure of the intimate public on Zarif’s Facebook, in which empathy for his bodily condition is accompanied by admiration for Zarif’s dedication to the national interest, in the face of Western hard power and its ‘crippling’ effects. In the wake of the 2013 JPOA deal, this supportive reading also dominated the media coverage; the front cover of Asman magazine, for example, depicted the bodies of Zarif and Mosaddegh as partially mergingFootnote ¹⁶⁹ Nonetheless, these different political readings share a common affective repertoire of suffering: whether through a moderate or a conservative political lens, the parallel with Mossadegh, expressed through the figure of bodily injury, mediates Iran’s past and present condition as a victim of neocolonial intervention.Footnote ¹⁷⁰

Affective strand #3: Vulnerability as civilisational proximity

The third affective strand concerns Western attitudes to Zarif’s condition and the comparison with Mosaddegh. While some observers were sceptical about Zarif’s use of a wheelchair,Footnote ¹⁷¹ the majority of Western diplomats and policy advisers reacted to Zarif’s public staging of his back injury at the talks with sympathy. As the journalist Ben Offiler noted, Zarif’s appearance in a wheelchair was far more positively received by the Western side than the performances staged by Prime Minister Mosaddegh on his visit to the US in 1951, which ultimately failed to attract US sympathy for Iranian efforts to contest British control of Iran’s oil industry. Offiler wondered how Zarif could mediate ‘weakness’ to his and Iran’s advantage, whereas Mosaddegh’s emotional performances of Iran’s weakness and distress in the face of British imperialism had been received with ambivalence and contempt by US and Western media and politicians: Mosaddegh, as Offiler recalls, was derogated for his unmanly proneness to ‘tears and fainting spells’, and his propensity for receiving guests in pyjamas while lying in bed.Footnote ¹⁷² Western readings of Mosaddegh’s public persona in 1951–3 thus drew on an orientalist repertoire of effeminate excess and ‘passivity’, characteristics that marked out an Eastern nation, Iran, as ripe for domination.Footnote ¹⁷³ In 2013, however, as Offiler pointed out, Zarif’s physical incapacity had done him and the Iranian side no harm at all diplomatically – Western diplomats instead offered empathy, sharing stories of their own back pain and suggesting treatments.Footnote ¹⁷⁴ One answer, I suggest, lies in the respective stereotypes of Iranian masculinity that were prevalent in 2013 and 1951 respectively. From 2005, until the election of Hassan Rouhani as president, the conservative presidential administrations of Mahmoud Ahmadinejad had drawn on the repertoire of tough and unyielding Islamic revolutionary masculinity,Footnote ¹⁷⁵ performatively communicating defiance and stoicism in the face of economic sanctions.Footnote ¹⁷⁶ In the orientalist repertoire, these performances would read as hypermasculine aggression, to be framed, in this repertoire’s racialising terms, as backward and uncivilised.Footnote ¹⁷⁷ By contrast, Zarif’s vulnerability would have conceivably appeared to Western observers as a mark of ‘humanity’, that is, of cultural and racial proximity to the West, in the following terms: an absence of signifiers of threat; the civilised hierarchy of mind over the physical body; modern masculinity’s rejection of ‘tough’ exteriority. Indeed, as Constance Duncombe’s analysis of diplomatic tweets shows, Zarif’s English-language tweets tended to attribute aggressive hypermasculinity to the West rather than the East, thus implicitly claiming civilisational equality, if not superiority. Going beyond the usual vocabulary of ‘bullying’, often used by Iran’s representatives to describe Western threats of continued sanctions, Zarif referred to these threats, on more than one occasion, as ‘macho’.Footnote ¹⁷⁸ There is considerable evidence that Zarif’s following understood and appreciated his performance of intelligent, civilised masculinity as (out)matching the West on its own terms. One of the comments celebrating Zarif’s triumphant return to Mehrabad airport after concluding the JPOA interim deal seems precisely to address the conservative criticism that Zarif’s performance was failing to mediate a ‘strong’ Iran to the West:

The comment, which received 14,000 likes, protests that Zarif’s opponents inside Iran should not focus on his vulnerability, but should instead see him as overcoming and humiliating the P5+1 powers. It utilises wordplay, rhyming two words with almost opposite meanings – zarif, ‘delicate’ or ‘fragile’, and harif, ‘conquering’ or ‘crushing’, in a powerful rejoinder to those conservative champions of a superseded set of emotional norms who would argue that one cannot simultaneously be zarif (delicate) and harif – a competitor or winner on the world stage.

Despite accusations of weakness from conservatives, then, Zarif seems to have managed to both navigate and shape a range of domestic and external readings of the nation and its place in the hierarchical international order. He steered a course between the twin orientalist tropes of effeminacy and hypermasculinity, in Western readings, while to domestic audiences, he was able to reframe the terms of Iranian masculinity in a way that expressed the advantages of the moderates’ approach over that of the conservatives in terms of dealing with Western powers. It is plausible that the domestic support for Zarif’s identity performances at the talks, via his Facebook page, made his task of continuing to project these narratives to both domestic and foreign audiences much easier. In mobilising and soothing Iranian anxieties concerning the country’s insufficient level of modernity and civilisation, Zarif arguably encouraged hopes among his followers for a normative, deracialised proximity to the violent imperial order that had itself been the source of injury to Iranian bodies and lives.

Affective thread #4: contesting national sentimentality

Many posts on the Zarif page mediate a sense that Zarif is not like other politicians, that even despite his privilege, he is able to recognise and empathise with ordinary people’s suffering. Following Zarif’s first post concerning his back pain, one commentator addressed Zarif directly, observing that he had shown understanding of people’s ongoing pain and misery, but at least Zarif could receive medical treatment, whereas most people were unable to afford it. Such comments imply, nonetheless, that while Zarif’s suffering may not be as severe or as longstanding as that of ordinary people, his sharing of his pain on social media has allowed him to be included in the ranks of sufferers.Footnote ¹⁸⁰ The basis of the ‘affective contract’ of this intimate public,Footnote ¹⁸¹ is Zarif’s ability to empathise and to receive empathy in return.

Desperate appeals to Zarif, in the form of lengthy, personal letters, surface at intervals in the comments on his page during the protracted negotiations. The letters implore him to help bring about a speedy end to sanctions, and they often mediate a degree of doubt as to whether Zarif can empathise with the writer’s pain. The more elaborate responses had in themselves become a topic in Iranian news sites, with much discussion of their highly emotional and intimate content. One urgent appeal went viral. Posted as a comment on Zarif’s 18 October update on the Geneva talks, the appeal was widely reported in domestic news outlets as ‘shocking’ and ‘spectacular’.Footnote ¹⁸² Zarif’s reply to this comment on his Facebook page was also widely covered.Footnote ¹⁸³ Identifying herself as a 26-year-old woman, the anonymous commentator describes her despair at being unable to afford her Master’s studies, and at the inability of her husband, a doctoral student, to find a job. She continues:

The young woman’s post openly contests two claims that underpin Zarif’s Facebook messaging. Zarif’s first, openly stated, claim is that defending Iran’s nuclear programme is compatible with a concern for citizens living under sanctions: the phrase ‘I would sell my right’, echoes the language of the diplomatic negotiations, during which Zarif asserted the country’s ‘right’ to nuclear energy, while also adopting a stance of empathy towards the population’s suffering.Footnote ¹⁸⁵ The second claim is that Zarif’s empathy and sense of public duty is all the more authentic for being based in a suffering that is shared. This claim, though not openly stated, is powerfully signified through the trope of back pain. The commentator flatly rebuts this implied claim by pointing to an inequality between her suffering and Zarif’s (‘lucky you, who has a doctor for his pain’). Taken in isolation, this would not be an unusual comment, but the force of the remark is compounded by what the commentator perceives as Zarif’s failure to project empathetic recognition of this inequality (‘you with comfort and calm …’). Her comment even draws on the language of the post in which Zarif had shared news of his sudden incapacitation, in order to subvert its implicit claim to a commonality of suffering.Footnote ¹⁸⁶ As Eunjung Kim has pointed out in reference to the history of Korea, the image of the nation collectively disabled by foreign powers homogenises a variety of positionalities within the borders of the nation, and erases ‘the diversity of [its inhabitants’] experiences, capabilities and perspectives’.Footnote ¹⁸⁷ In pointing to a similar erasure, the commentator reframes the Zarif page as no longer a space of hope for the normative life that she eloquently evokes. The intimate public’s sentimental promise that it was a space of ‘true feeling’,Footnote ¹⁸⁸ a metonym for the larger nurturing space of the nation, has dissolved. Berlant has described texts such as the young woman’s post as ‘“countersentimental”’, a ‘resistant strain within the sentimental domain’ that ‘withdraws from the contract that presumes consent’ to the ‘sentimental alliance’.Footnote ¹⁸⁹ Here the commentator devastatingly picks apart the ways in which national sentimentality purports to include and yet invisibilises her experience of incapacitation and disablement.

Zarif’s reply, posted directly underneath the woman’s comment, was also much reported in Iranian media. Beginning ‘Hello, my dear girl’, his response does not depart from the familiar and empathetic register of his Facebook page; it speaks of the obligation upon the government to resolve the crisis and implores her (and the wider audience) to believe that he was grateful ‘to you all individually’ during the negotiations. This could be taken as addressing the commentator’s point that her specific, individual suffering was erased in the trope of the injured nation; but it also again perpetuates the idea that genuine person-to-person feeling could resolve inequalities that are structural, a stance that Berlant identifies as characteristic of intimate publics.Footnote ¹⁹⁰ Once more stressing Iran’s ‘legitimate rights’ to nuclear energy, Zarif ends his reply with an optimistic quotation from a popular modern Iranian poet: ‘Be patient a little longer: the dawn is nearing.’ This part of his reply became a newspaper headline.Footnote ¹⁹¹ Iranian and Persian poetry, which is part of everyday popular culture, is repeatedly drawn upon by Zarif as a resource for establishing intimacy, to confirm him as an ‘insider’, close to the people. In this context, the commentator’s subversion of the emotional repertoire of the Zarif Facebook all the more strongly signals her affective disinvestment from the ‘cruel optimism’, in Berlant’s terms, that is offered by the Iranian state.