Hostname: page-component-5db58dd55d-ggg9q Total loading time: 0 Render date: 2026-07-09T07:49:51.495Z Has data issue: false hasContentIssue false

Inventing the Refugee Crisis: Huguenots and the Rise of Refugee Identity

Published online by Cambridge University Press:  02 February 2026

Bryan A. Banks*
Affiliation:
Columbus State University, USA
Rights & Permissions [Opens in a new window]

Abstract

Refugee and forced migration studies scholars largely ignore the early modern period when they discuss modern refugee crises, thus overlooking the transhistorical, cultural origins of refugee identity formation. Following Louis XIV’s Revocation of the Edict of Nantes in 1685, around 200,000 Huguenots fled France for the wider diaspora. Often depicted as republicans, if not anarchists, bent on the destruction of Christianity and the French sacral monarchy, Huguenots sought refuge for their own safety and in the process reimagined themselves first as religious refugees and then as political ones. As religious refugees, Huguenots like the theologian Pierre Jurieu donned the mantle of the Ancient Israelites, as a means to maintain their community against French purgation of the Calvinist sect. As political refugees, Huguenots like Rabaut Saint-Étienne developed several strategies at courting the favor of the Bourbon monarchy, many of which challenged the French sacral state to imagine itself in secular terms. In developing a political refugee identity, these Huguenots created the empathetic, cultural refugee, which could transcend religious affiliation in favor of promoting a national identity.

Information

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of The Leiden Institute for History.
Figure 0

Figure 1. Godefroy Engelmann, Gravure protestante représentant les dragonnades en France sous Louis XIV, circa 1686. Image in Public Domain.